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Thursday, November 14, 2013

āĻŽিāĻļিāĻ—াāύ āĻĻāĻļ āϏāϰ্āĻŦাāϧিāĻ• āĻ­ুāϤুāĻĄ়ে āϜাāϝ়āĻ—া

āĻāĻ•āϟি āĻŽāϝ়āϞা āĻĒāĻĨ āĻĒāϤিāϤ āĻļাāĻ–া āφāϚ্āĻ›াāĻĻিāϤ āĻāĻŦং cobwebs āϏāĻ™্āĻ—ে āύāϰāĻ• āĻāĻ•āϟি āĻ•āĻŦāϰāϏ্āĻĨাāύ, āĻŦাāĻĄ়ে; āĻāĻ•āϟি āĻ…āĻĻ্āĻ­ুāϤ āĻ•ুāϝ়াāĻļা āϝāĻ–āύ āĻŦাāĻĻুāĻĄ় āϞāĻ•্āώী āĻ“āĻ­াāϰāĻšেāĻĄ āĻŽāϧ্āϝে āĻĒ্āϰāϚেāώ্āϟা; āϰাāϤে āĻŽাāϧ্āϝāĻŽে āĻāĻ•āϟি āĻ•াāϞো āĻŦিāĻĄ়াāϞ āĻĒ্āϰāϤিāϧ্āĻŦāύি āĻāϰ howls āϏূāϰ্āϝ āĻĒোāĻĄ়ো Mitten āύেāĻ­িāĻ—েāĻļāύ āϏেāϟ āĻšিāϏেāĻŦে. āĻš্āϝাāϞোāχāύ āϏāĻŽীāĻĒāĻŦāϰ্āϤী āϏāĻ™্āĻ—ে, Michiganders āύিāϜেāĻĻেāϰ āύিāϰীāĻš āĻ­ীāϤি āϜাāϝ়āĻ—া āϜāύ্āϝ āĻ…āύুāϏāύ্āϧাāύ āĻ•āϰা āĻšāϝ়, āϤাāχ āĻāĻ–াāύে āϰাāώ্āϟ্āϰ āĻĻāĻļ āϏāĻŦāϚেāϝ়ে āϏāĻ•্āϰিāϝ় āĻ…āϏ্āĻŦāĻ­াāĻŦী āϜাāϝ়āĻ—া āφāĻŽাāĻĻেāϰ āϤাāϞিāĻ•া.
1. āϤāϰ্āĻ• āĻļāĻšāϰেāϰ āϰাāϜ্āϝ āĻšাāϏāĻĒাāϤাāϞ
1885 āϏাāϞে āύিāϰ্āĻŽিāϤ āĻāĻŦং 100 āĻŦāĻ›āϰ āĻĒāϰে āĻ“āĻ­াāϰ āĻŦāύ্āϧ, āϤāϰ্āĻ• āĻļāĻšāϰেāϰ āϰাāϜ্āϝ āĻšাāϏāĻĒাāϤাāϞ āϏāĻŽ্āĻ­āĻŦāϤ āĻ—্āϰ্āϝাāύ্āĻĄ āϤāϰ্āĻ• āĻ•াāωāύ্āϟি āϏāĻŦāϚেāϝ়ে eerie āϏ্āĻĨাāύ. āĻŽূāϞāϤ āĻŽাāύāϏিāĻ•āĻ­াāĻŦে āĻ…āϏ্āĻĨিāϰ āϜāύ্āϝ āĻāĻ•āϟি āφāĻļ্āϰāϝ়, āϤাāϰ āϏāĻ•্āϰিāϝ় āĻŦāĻ›āϰ āϏāĻŽāϝ় āĻšাāϏāĻĒাāϤাāϞে āĻāĻ›াāĻĄ়াāĻ“, āϝāĻ•্āώা, āϟাāχāĻĢāϝ়েāĻĄ, āĻĄিāĻĒāĻĨিāϰিāϝ়া, āĻāĻŦং āĻĒোāϞিāĻ“ āϏāĻ™্āĻ—ে āύিāĻĒীāĻĄ়িāϤ āϝাāϰা ​​housed. āĻ—োāĻĨিāĻ• āĻļৈāϞী āĻŦাāĻĄ়ী 2000 āϏাāϞ āĻĨেāĻ•ে renovations undergone āφāĻ›ে, āϝāĻĻিāĻ“ āĻ­িāϤ্āϤিāϤে āĻāĻ•āϟি āĻĻāϰ্āĻļāύ āϤাāϰ āĻ…āϤীāϤেāϰ āĻ…āĻļুāĻ­ āĻāĻŦং āĻ…āϤ্āϝাāϚাāϰী āĻ…āύুāĻ­ূāϤিāĻ•ে conjures. āĻ­ূāĻ—āϰ্āĻ­āϏ্āĻĨ āϟাāύেāϞ āĻāĻŦং caged balconies āĻ­āĻŦāύ āĻĒিāĻ›āύে āĻ—্āϰাāĻŽাāĻž্āϚāϞে āĻ­্āϰāĻŽāĻŖ āωāĻĒāϰ āĻ…āĻŦāϏ্āĻĨিāϤ āĻ­ুāϤুāĻĄ়ে āϚাāĻ•্āώুāώ āωāĻĻ্āĻĻীāĻĒāύ āĻāĻŦং, āϝোāĻ— āφāĻ›ে, "āĻŽাāĻĻāĻ•āϏেāĻŦী āĻŦৃāĻ•্āώ" āĻāϰ āĻ…āϧীāύে āύāϰāĻ•ে āĻāĻ•āϟি āĻĒোāϰ্āϟাāϞ āĻšāϤে āĻšāϝ়েāĻ›ে. āϏেāχāϏাāĻĨে āĻ…āϏ্āĻŦāĻ­াāĻŦী āϤāĻĻāύ্āϤ āύāĻĨিāĻ­ুāĻ•্āϤ āĻšিāϏাāĻŦে, āϰাāϜ্āϝ āĻšাāϏāĻĒাāϤাāϞ āϤাāϰ āϧāĻ•āϞ āχāϤিāĻšাāϏ āύিāĻŦেāĻĻিāϤ āĻŦāĻšু āĻŦāχ āφāĻ›ে.

2. Marquette āĻĒুāϰাāύো āĻļāĻšāϰেāϰ āĻ…āύাāĻĨ
āĻĒূāϰ্āĻŦে āĻĒāĻŦিāϤ্āϰ āĻ•্āϰāϏ āĻ…āύাāĻĨ āĻšিāϏাāĻŦে āĻĒāϰিāϚিāϤ, āĻ“āϞ্āĻĄ āĻļāĻšāϰেāϰ āĻ…āύাāĻĨ āĻļāĻšāϰেāϰ āĻ…āϤীāϤ āĻāϰ āĻ­āϝ়āĻĒ্āϰāĻĻāϰ্āĻļāύāĻ•াāϰী āĻ…āύুāϏ্āĻŽাāϰāĻ• āĻšিāϏেāĻŦে Marquette HILLS āĻŦিāϰুāĻĻ্āϧে āĻĻাঁāĻĄ়িāϝ়েāĻ›ে. 1915 āϏাāϞে āύিāϰ্āĻŽিāϤ āĻāĻŦং āĻŽāϧ্āϝ āώাāϟেāϰ āĻĻāĻļāĻ•ে āĻĒāϰিāϤ্āϝāĻ•্āϤ, āĻ•্āϝাāĻĨāϞিāĻ• āĻ…āύাāĻĨ āϞāĻŽ্āĻŦা āφāĻ–্āϝাāύ āĻāĻŦং āĻ•িংāĻŦāĻĻāύ্āϤি āĻāĻ•āϟি āĻ…āĻŦāϏ্āĻĨাāύ āϰāϝ়ে āϝাāϝ়. āĻ…āύাāĻĨ āĻāϰ occupants āĻŽāϤে, nuns āĻļাāϰীāϰিāĻ• āĻāĻŦং āĻŽাāύāϏিāĻ•āĻ­াāĻŦে āĻļিāĻļুāĻĻেāϰ āĻ…āĻĒāĻŦ্āϝāĻŦāĻšাāϰ āĻĒāϰিāϚিāϤ āĻāĻŦং āϤাāĻĻেāϰ āĻļাāϏ্āϤিāϰ āĻŽāϧ্āϝে āĻšিংāϏ্āϰ āĻ›িāϞাāĻŽ. āĻāĻ•āϟি āĻ…্āϝাāĻ•াāωāύ্āϟে āĻāĻ•āϟি āϤুāώাāϰāĻāĻĄ় āϏāĻŽāϝ় āĻŦাāχāϰে āĻŦাāϜাāύো āĻāĻŦং āĻĒāϰāĻŦāϰ্āϤীāĻ•াāϞে āύিāωāĻŽোāύিāϝ়া āφāĻ•āϰ্āώāĻŖীāϝ় āϏাāĻŽাāύ্āϝ āĻŽেāϝ়ে āϏ্āĻŽāϰāĻŖ. āϤিāύি āĻŦেāĻļ āĻ•িāĻ›ু āĻĻিāύ āĻĒāϰে āĻŽাāϰা āϝাāύ. āϤাāϰ āĻ…āύāĻ­িāϜ্āĻžāϤা āĻāĻŦং āĻ…āύ্āϝাāύ্āϝ āĻļিāĻļুāĻĻেāϰ āĻāĻ•āϟি āϏāϤāϰ্āĻ•āϤাāĻŽূāϞāĻ• āĻāĻ•āϟি āχāϚ্āĻ›াāĻĒāϤ্āϰ āĻšিāϏেāĻŦে nuns āĻĻেāĻ–āϤে āϏāĻŦ āϜāύ্āϝ āĻĒ্āϰāĻĻāϰ্āĻļāύেāϰ āϤাāϰ āĻļāϰীāϰেāϰ āϰাāĻ–া. āĻļিāĻļুāĻĻেāϰ āĻ•্āϰāύ্āĻĻিāϤ āĻāĻ•āϟি āĻļাāύ্āϤ āϰাāϤে āĻ­āĻŦāύেāϰ āĻĒাāĻļ āĻĻিāϝ়ে āϝāĻĻি āĻļোāύা āĻšāϝ়.

3. Kalamazoo āĻŽāϧ্āϝে āĻšেāύ্āĻĄাāϰāϏāύ āĻ•াāϏāϞ
āĻļāϤাāĻŦ্āĻĻী āĻĒুāϰাāύো āĻāĻŦং āĻ•āϞ্āĻĒāύাāύুāϏাāϰে āφāϤ্āĻŽাāϰা āĻāĻ•āϟি āϏৈāύ্āϝāĻŦাāĻšিāύী āĻšোāϏ্āϟ āϧāϰে, Kalamazoo āĻāϰ āĻšেāύ্āĻĄাāϰāϏāύ āĻ•াāϏāϞ āĻāĻ–āύ āĻŦাāϏ āϏāϰāĻŦāϰাāĻš āĻāĻ•āϟি āĻŦেāĻĄ āĻāύ্āĻĄ āĻŦ্āϰেāĻ•āĻĢাāϏ্āϟ ... āĻāĻŦং āĻŽৃāϤ. āĻŦাāĻĄ়িāϤে āĻāϰ āφāϏāϞ āĻŽাāϞিāĻ•āĻĻেāϰ āĻĢ্āϰাāĻ™্āĻ• āĻāĻŦং āĻŽেāϰি HENDERSON, āĻāĻŦং āϏেāχāϏাāĻĨে āĻāĻ•āϟি āϏ্āĻĒ্āϝাāύিāĻļ āφāĻŽেāϰিāĻ•াāύ āϝুāĻĻ্āϧ āĻাāύু āϝাāϰা​​, āϏাāĻŽাāύ্āϝ āĻŽেāϝ়ে, āĻāĻŦং āĻāĻ•āϟি āĻ•ুāĻ•ুāϰ āφāϤ্āĻŽাāϰা āĻāĻ•āχāĻ­াāĻŦে āĻ…āϏ্āĻŦāĻ­াāĻŦী āĻĻāϞ āĻāĻŦং āĻ…āϤিāĻĨি āϏāĻ™্āĻ—ে āύিāϝ়āĻŽিāϤ āϝোāĻ—াāϝোāĻ— āĻ•āϰাāϰ. āĻĻৃāĻļ্āϝāϤ āĻŦāύ্āϧুāϤ্āĻŦেāϰ āĻĒ্āϰāĻĢুāϞ্āϞāϤা āĻ•াāϞ āĻĒোāĻļাāĻ• āĻĒāϰা, āĻ•াঁāϧে āĻ…āϏāύ্āĻĻিāĻ—্āϧāϚāϰিāϤ্āϰ āĻĻāϰ্āĻļāĻ• āϞāϘুāĻĒাāϤ, āĻāĻŦং āĻ•āĻ–āύāĻ“ āĻ•āĻ–āύāĻ“ āĻĒূāϰ্āĻŖ āφāĻ•াāϰে āĻĒ্āϰāĻ•াāĻļāĻŽাāύ, unplugged āϰেāĻĄিāĻ“ āĻŽাāϧ্āϝāĻŽে āĻŦāϞāϤে, āϝোāĻ—াāϝোāĻ—েāϰ āĻĒ্āϰিāϝ় āĻĢāϰ্āĻŽ āφāĻ›ে.

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4. āĻĄেāϟ্āϰāϝ়েāϟে Masonic āĻŽāύ্āĻĻিāϰ
āϜāϰ্āϜ āĻĄি āĻŽ্āϝাāϏāύ āύাāĻŽāĻ• āĻāĻ•āϟি āϧāύী āĻ­āĻĻ্āϰāϞোāĻ• āĻĻ্āĻŦাāϰা 1912 āϏাāϞে āύিāϰ্āĻŽিāϤ, āĻĄেāϟ্āϰāϝ়েāϟ Masonic āĻŽāύ্āĻĻিāϰ āĻŽেāĻে āĻŽāϧ্āϝে 1,000 āϰুāĻŽ, āĻāĻŦং āĻŦিāĻ­িāύ্āύ āĻ—োāĻĒāύ āϏিঁāĻĄ়িāϤে, āĻ—োāĻĒāύ āĻĒ্āϝাāϏেāϜ, āĻāĻŦং āϞুāĻ•াāύো compartments āφāĻ›ে. āϜāύাāĻŦ āĻŽ্āϝাāϏāύ āĻ­āĻŦāύেāϰ āύিāϰ্āĻŽাāĻŖ āφāϰ্āĻĨিāĻ• āϝāĻ–āύ āϏাāĻŽাāύ্āϝ āϜāϞে āĻ—িāϝ়েāĻ›িāϞাāĻŽ, āĻāĻŦং āϤাāϰ āϏ্āϤ্āϰী āϤাāĻ•ে āĻ›েāĻĄ়ে āϝাāĻšাāϰ āĻĢāϞে āĻ…āĻŦāĻļেāώে āĻĻেāωāϞিāϝ়া āĻšāϝ়েāĻ›িāϞ. āϏিংāĻšāĻ­াāĻ— āϤাāϰ āφāϰ্āĻĨিāĻ• āĻ“ āĻŦ্āϝāĻ•্āϤিāĻ—āϤ āĻ…āĻŦāϏ্āĻĨাāϰ āĻŦিāώāϝ়ে āĻŦিāώāĻŖ্āĻŖ, āĻŽ্āϝাāϏāύ āĻŽāύ্āĻĻিāϰেāϰ āĻ›াāĻĻ āĻĨেāĻ•ে āϤাāϰ āĻŽৃāϤ্āϝুāϰ jumped. āύিāϰাāĻĒāϤ্āϤা āϰāĻ•্āώীāĻĻেāϰ āĻ›াāĻĻ āĻĒāĻĻāĻ•্āώেāĻĒ āφāϰোāĻšী, āĻāχ āĻĻিāύে āϤাāϰ āĻĒ্āϰেāϤাāϤ্āĻŽা āĻĻেāĻ–āϤে āĻĻাāĻŦি. āĻ াāύ্āĻĄা āĻĻাāĻ—, āĻ…āĻŦāĻ•্āϤāĻŦ্āϝ āĻ›াāϝ়া, āĻāĻŦং slamming āĻĻāϰāϜা āĻĻিāϝ়ে āĻĒ্āϰāϚুāϰ āĻŽāύ্āĻĻিāϰ, āĻĒ্āϰেāĻ•্āώিāϤ āĻšāϚ্āĻ›ে eerie āĻ…āύুāĻ­ূāϤি āϏāĻ™্āĻ—ে āĻĻāϰ্āĻļāĻ• āĻšুāĻŽāĻ•ি āĻĻিāϝ়ে āĻ­āϝ় āĻĻেāĻ–িāϝ়ে āĻĒāϰিāϚিāϤ ...

5. Saugatuck āĻ…āύুāĻ­ূāϤ āĻŽ্āϝাāύāĻļāύ
, āĻšāϞ্āϝাāύ্āĻĄ āĻ“ Saugatuck āĻŽāϧ্āϝে Mitten āĻāϰ āĻĒāĻļ্āϚিāĻŽ āωāĻĒāĻ•ূāϞে āĻ…āĻŦāϏ্āĻĨিāϤ āĻŽ্āϝাāύāĻļāύ, āĻ…āύুāĻ­ূāϤ 1928 āϏাāϞে āĻāϰ āύিāϰ্āĻŽাāĻŖ āĻĨেāĻ•ে āĻŦেāĻļ āĻ•āϝ়েāĻ•āϟি āĻŽুāĻ–োāĻļ āĻĒāϰা āĻšāϝ়েāĻ›ে. āĻ…āϟ্āϟাāϞিāĻ•া āĻ—āĻŖāύা āϤাāϰা āĻŦাāϏা āĻ›েāĻĄ়ে āĻĒāϰে āĻ…āύুāĻ­ূāϤ āĻĒāϰিāĻŦাāϰ āχāύ āϏāϰাāύো āĻ…āϞ্āĻĒāĻ•াāϞ āĻĒāϰে, āĻāϟি āĻāĻ•āϟি āϏেāĻŽিāύাāϰী āϰুāĻĒাāύ্āϤāϰিāϤ āĻ›িāϞ āĻŽাāϰা āϝাāύ, āĻāĻŦং āϤাāϰāĻĒāϰ āĻāĻ•āϟি āĻĒুāϞিāĻļ āĻāĻŦং āĻĄ্āϰাāĻ— āĻĒ্āϰāϝ়োāĻ—āĻ•াāϰী āϏংāϏ্āĻĨা āĻ…āĻĢিāϏে āϝিāύি āωāĻĻ্āĻ­াāĻŦāĻ• Dorr āĻāϰ āĻ…āύুāĻ­ূāϤ āĻĻāϝ়িāϤ āϏ্āϤ্āϰী āĻāĻ—āύেāϏ, āφāĻĒāύি āĻāĻ•āϟি āωāĻĒāĻšাāϰ āĻ›িāϞ. āĻāϟি āĻŦāϰ্āϤāĻŽাāύে āϤাāϰ āĻĒ্āϰাāĻ•্āϤāύ āĻ—āϰিāĻŽা āĻĨেāĻ•ে āĻĒুāύāϰুāĻĻ্āϧাāϰ āĻ•āϰা āĻšāϚ্āĻ›ে. āϝেāĻŽāύ āϏāĻŽৃāĻĻ্āϧ āχāϤিāĻšাāϏ āϏāĻ™্āĻ—ে āĻšোāĻŽāϏ্ āĻ–ুāĻŦ āĻ•āĻŽāχ āĻļাāύ্āϤ āĻĨাāĻ•া: āĻ…āύেāĻ• āĻāĻ—āύেāϏ āφāϤ্āĻŽা āϏে āϜীāĻŦāύেāϰ āĻ­োāĻ— āĻ•āϰāϤে āϏāĻ•্āώāĻŽ āĻ›িāϞ āύা āϘāϰ wanders āĻ…āύুāĻ­ূāϤ āĻŦিāĻļ্āĻŦাāϏ āĻ•āϰি āϝে. āĻ­াāϰী āĻĻāϰāϜা āĻ–ুāϞে āϤাāĻĻেāϰ āϏ্āĻŦেāϚ্āĻ›াāϝ় āĻŦāύ্āϧ āĻ•āϰাāϰ āϏāĻŽāϝ়, āĻ…āϟ্āϟাāϞিāĻ•া āĻāϰ āĻĒāϰ্āϝāϟāĻ•āĻĻেāϰ āĻ­āϝ়াāύāĻ• ballroom āĻ•াāĻ›াāĻ•াāĻ›ি āĻāĻ•āϟি shadowy āϚিāϤ্āϰ waltzes. āϏে āϤাāϰ āωāĻĒāϏ্āĻĨিāϤি āĻ–ুāĻŦ āĻ…āĻļোāĻ­āύ āĻŦা āĻ…āĻļোāϧিāϤ āĻŦāϞিāϝ়া āĻ—āĻŖ্āϝ āĻšāϝ়েāĻ›ে āϝাāĻĻেāϰ āĻ—েāϏ্āϟ āϏিāϏ্āϟেāĻŽ reprimanding āĻāĻ—āύেāϏ āĻšিāϏাāĻŦ āĻāĻŽāύāĻ•ি āφāĻ›ে.

6. GRAND RAPIDS āĻŽāϧ্āϝে āĻŽিāĻļিāĻ—াāύ āĻŦেāϞ āϟেāϞিāĻĢোāύ āĻ•োং
āĻ•িংāĻŦāĻĻāύ্āϤি āĻŽāϧ্āϝে Shrouded, āĻŽিāĻļিāĻ—াāύ āĻŦেāϞ āϟেāϞিāĻĢোāύ āĻ•োāĻŽ্āĻĒাāύিāϰ āĻāĻ•āĻŦাāϰ āĻļāĻšāϰেāϰ āĻ•েāύ্āĻĻ্āϰāϏ্āĻĨāϞ GRAND RAPIDS āĻāĻ•āϟি āϚāϰāĻŽ āĻŽিāĻĨ্āϝাāϚাāϰ āĻ…āϟ্āϟাāϞিāĻ•া āĻ›িāϞ āĻ­িāϤ্āϤিāϤে āĻĻাঁāĻĄ়িāϝ়েāĻ›ে. āĻŦāϰ্āϤāĻŽাāύ āĻ•āϰ্āĻŽীāĻĻেāϰ āĻĒ্āϰাāϝ়āχ āϜāĻŽিāϰ āĻāχ āĻŦিāĻļেāώ āϚāĻ•্āϰাāύ্āϤ grisly āχāϤিāĻšাāϏ āĻ•াāϰāĻŖে āĻ­ৌāϤিāĻ• encounters āĻ…āĻ­িāϜ্āĻžāϤা. āĻāϟা āϰাāύ্āĻĄাāϞ āĻĻāĻŽ্āĻĒāϤি āϤাāϰ āĻĒূāϰ্āĻŦāĻŦāϰ্āϤী āĻŽাāϞিāĻ•āĻĻেāϰ āĻĨেāĻ•ে Judd-āĻšোāϝ়াāχāϟ āĻšাāωāϏ āĻ•্āϰāϝ় āĻāĻŦং āĻŦিāϝ়োāĻ—াāύ্āϤ āύাāϟāĻ• āϤাāĻĄ়িāϤ āφāĻ—ে āĻĻীāϰ্āϘ āϜāύ্āϝ āĻ“āχ āϜাāϝ়āĻ—াāϝ় āĻŦāϏāĻŦাāϏ āĻ›িāϞ āύা āĻŦāϞা āĻšāϝ়. āĻ“āϝ়াāϰেāύ āϰাāύ্āĻĄাāϞ, āĻāĻ•āϟি āϰেāϞāĻĒāĻĨ brakeman, āĻ•াāϜেāϰ āωāĻĒāϰ āϝāĻ–āύ āϤাāϰ āĻĒা āĻšাāϰিāϝ়ে āĻāĻŦং āĻāϟি āĻāĻ•āϟি āĻ•াāĻ েāϰ prosthetic āĻĻিāϝ়ে āĻĒ্āϰāϤিāϏ্āĻĨাāĻĒিāϤ āĻšāϝ়. āĻāχ āĻ“āϝ়াāϰেāύ āĻāϰ āĻ…ংāĻļ āύিāϰাāĻĒāϤ্āϤাāĻšীāύāϤাāϰ āĻ…āύুāĻ­ূāϤি āύেāϤৃāϤ্āĻŦে, āĻāĻŦং āĻļীāϘ্āϰāχ āϤিāύি āĻāĻ•āϟি āĻŦ্āϝাāĻĒাāϰ āĻšāϚ্āĻ›ে āϤাāϰ āϏ্āϤ্āϰী āĻ­াāϰ্āϜিāύিāϝ়া āĻ…āĻ­িāϝুāĻ•্āϤ. āϤাāĻĻেāϰ āĻŦিāĻŦাāĻš āφāϰ āĻ–ুāĻļি āĻāĻŦং āφāϰ্āĻ—ুāĻŽেāύ্āϟ āĻĒ্āϰাāϝ়āχ āϰাāϏ্āϤাāϝ় āĻĨেāĻ•ে overheard āĻšāϝ়েāĻ›ে. āĻ…āϟ্āϟাāϞিāĻ•া āϧোāĻ“āϝ়া āĻĨেāĻ•ে āύিāϰ্āĻ—āϤ āĻāĻ•āϟি āϤীāĻŦ্āϰ āĻ•āϟু āĻ—āύ্āϧ āĻ াāĻšāϰ āĻ•āϰাāϰ āĻĒāϰে, āĻ­āĻŦāύ āĻĒাāĻļেāϰ āĻļ্āϰāĻŽিāĻ•āĻĻেāϰ āϤāĻĻāύ্āϤ āĻ•āϰ্āĻŽāĻ•āϰ্āϤাāĻĻেāϰ āϏাāĻĨে āϝোāĻ—াāϝোāĻ— āĻ•āϰেāύ. āĻĻুāϟি āĻŦাāĻĄ়িāϰ āĻŽāϧ্āϝে āĻŽৃāϤ āĻĒাāĻ“āϝ়া āϝাāϝ় āύি; āĻ“āϝ়াāϰেāύ āĻ…āĻ­িāϝুāĻ•্āϤ āϤাāϰ āύিāϜেāϰ āĻ—āϞা slitting āφāĻ—ে āϤাāϰ āĻ•াāĻ েāϰ āĻĒাāϝ়া āϏāĻ™্āĻ—ে āĻŽৃāϤ্āϝুāϰ āĻ­াāϰ্āϜিāύিāϝ়া āĻĒেāϟাāύো āĻšāϝ়. āĻ•োāĻŽ্āĻĒাāύীāϰ āĻ•āϰ্āĻŽāϚাāϰীāϰা āϏাāĻ•্āώী āĻšিāϏেāĻŦে āĻ•āϝ়েāĻ• āφāϤ্āĻŽাāϰা āĻ•িāĻ›ু Randalls āϘāύ্āϟা āĻĒāϰে āĻŦিāϞ্āĻĄিং āϏূāϤ্āϰাāύুāϝাāϝ়ী eerie āϤাāĻŽাāĻļা āĻĢোāύ āĻ•āϞেāϰ āϜāύ্āϝ āĻĻাāϝ়ী āϝে āĻŦāϞāĻ›ে, āĻāχ āĻĻিāύ āϤāϰ্āĻ•.

7. Monroe āύāĻĻীāϰ āĻ•িāĻļāĻŽিāĻļ āύ্āϝাāĻļāύাāϞ āϝুāĻĻ্āϧāĻ•্āώেāϤ্āϰেāϰ āĻĒাāϰ্āĻ•
āĻŽিāĻļিāĻ—াāύ āĻŽাāϟি āĻĒ্āϰāϤিāĻĻ্āĻŦāύ্āĻĻিāϤাāĻĒূāϰ্āĻŖ āĻŦৃāĻšāϤ্āϤāĻŽ āĻāĻŦং bloodiest encounters, āύāĻĻী āĻ•িāĻļāĻŽিāĻļ (āĻāĻ›াāĻĄ়াāĻ“ Frenchtown āϝুāĻĻ্āϧāϏāĻŽূāĻš āύাāĻŽে āĻĒāϰিāϚিāϤ) āϝুāĻĻ্āϧāϏāĻŽূāĻš 1812 āϝুāĻĻ্āϧেāϰ āϏāĻŽāϝ় āĻŽাāϰ্āĻ•িāύ āϝুāĻ•্āϤāϰাāώ্āϟ্āϰ āϜāύ্āϝ āĻŦিāϧ্āĻŦংāϏী upsets āĻ›িāϞ. āϝুāĻĻ্āϧ āĻāĻŦং āĻŦ্āϰিāϟিāĻļ āĻāĻ•āϟি āϚূāĻĄ়াāύ্āϤ āφāϤ্āĻŽāϏāĻŽāϰ্āĻĒāĻŖেāϰ āĻ•āϝ়েāĻ• āĻĻিāύ āĻĒāϰে, āφāĻŽেāϰিāĻ•াāύ āϏৈāύ্āϝāϰা āϤাāĻĻেāϰ captors āĻĻ্āĻŦাāϰা āĻĻূāϰে āĻšāϤে āĻšāϝ়. maimed āϏৈāύ্āϝāĻĻেāϰ āĻĒāϰিāϤ্āϝāĻ•্āϤ āĻšāϝ় āĻāĻŦং āĻĒāϰে āĻāĻ•āϟি āφāĻļ্āϚāϰ্āϝ āĻšাāĻŽāϞাāϝ় āĻĻেāĻļীāϝ় āφāĻŽেāϰিāĻ•াāύāĻĻেāϰ massacred āĻšāĻŦে. 1812 āϝুāĻĻ্āϧেāϰ āĻāχ āϏাংāϘাāϤিāĻ• āϝুāĻĻ্āϧ, āϝুāĻĻ্āϧ āĻšাāϰিāϝ়ে 1,000 āφāĻŽেāϰিāĻ•াāύ āϏৈāύ্āϝāĻĻেāϰ āĻŽোāϟ āĻ…āϰ্āϧেāĻ• āĻ“āĻ­াāϰ āύিāĻšāϤ āĻšāϝ়. āĻ…āϏ্āĻŦāĻ­াāĻŦী āĻĻāϞ āĻāĻ–āύ āύāĻĻী āĻ•িāĻļāĻŽিāĻļ āύ্āϝাāĻļāύাāϞ āϝুāĻĻ্āϧāĻ•্āώেāϤ্āϰেāϰ āĻĒাāϰ্āĻ• āύাāĻŽে āĻĒāϰিāϚিāϤ āĻ āϤāĻĻāύ্āϤ āĻ…āύুāώ্āĻ িāϤ āĻšāϝ়েāĻ›ে āĻāĻŦং āϏāĻŽāϝ় āĻ­িāϤ্āϤিāĻ• āĻŦāϏ্āϤু, āϏāĻ™্āĻ—ীāϤ, āĻāĻŦং āφāϤ্āĻŽাāϰা āϚেāĻšাāϰা āωāϤ্āϏাāĻšিāϤ āĻ…āύ্āϝাāύ্āϝ āϟ্āϰিāĻ—াāϰ āĻŦ্āϝāĻŦāĻšাāϰ āĻ•āϰে āĻĨাāĻ•ে, āϝা āϏিāĻ™্āĻ—াāĻĒুāϰ āϤāϤ্āϤ্āĻŦ āĻ•াāϜে āϞাāĻ—াāύো āĻšāϝ়েāĻ›ে. Doorways, āϜাāύাāϞা, āĻāĻŦং āϝāĻĻি āĻ•্āώেāϤ্āϰেāϰ āĻŽāϧ্āϝে āĻĢিāĻ—াāϰāϏ āĻ›āĻŦি, āĻāĻŦং āϝুāĻĻ্āϧ āĻāĻŦং āϰেāĻ•āϰ্āĻĄ āĻ…āύ্āϤāϰ্āĻŦেāĻĻāύা āĻāĻŦং cries āĻļāĻŦ্āĻĻāϏāĻŽূāĻš āĻ…āύুāĻŽিāϤ āĻšāϝ়েāĻ›ে.

Image8. Paulding āĻšাāϞ্āĻ•া
Paulding, āĻŽিāĻļিāĻ—াāύ, āĻšাāχāĻ“āϝ়ে 45 āĻāϰ āĻāĻ•āϟি āĻĒ্āϰāϏাāϰিāϤ āĻŦāϰাāĻŦāϰ āϘāϟে āϝে āĻāĻ•āϟি āϰāĻšāϏ্āϝāĻŽāϝ় āφāϞো āĻĒ্āϰāĻĻāϰ্āĻļāύেāϰ āϜāύ্āϝ āĻĒāϰিāϚিāϤ āωāϚ্āϚ āωāĻĒāĻĻ্āĻŦীāĻĒেāϰ āĻāĻ•āϟি āĻ›োāϟ āĻļāĻšāϰ. āĻ…āύেāĻ• āĻ…āϏ্āĻŦāĻ­াāĻŦী āϤāĻĻāύ্āϤāĻ•াāϰীāϰা āĻāĻŦং āĻāĻŽāύāĻ•ি Ripley āĻāϟা āĻŦা āύা āϟিāĻŽ āĻāϞাāĻ•া āĻĒāϰীāĻ•্āώা āφāĻ›ে, āϝāĻĻিāĻ“ āϘāϟāύাāϟি āϜāύ্āϝ āĻ•োāύ āĻŦ্āϝাāĻ–্āϝা āĻ•ি āĻ•āĻ–āύāĻ“ āĻĒাāĻ“āϝ়া āĻ—িāϝ়েāĻ›ে. āϏ্āĻĨাāύীāϝ়āĻĻেāϰ āϏাāĻĻা, āϞাāϞ, āϏāĻŦুāϜ āĻ›োāϟ āĻ—োāϞাāĻ•ৃāϤি āϞাāχāϟ āϟ্āϰ্āϝাāĻ•, āĻŦা āĻŦিāĻĻ্āϝুāϤেāϰ āϞাāχāύ āĻŦāϰাāĻŦāϰ āύাāϚ āĻāĻ•āϟি āφāĻŽেāϰিāĻ•াāύ āĻŽাāύুāώেāϰ āϏ্āϝুāχāϚ āĻ•āϰাāϰ āϚেāώ্āϟা āĻ•āϰাāϰ āϏāĻŽāϝ় āϝাāϰা ​​āĻŽাāϰা āĻāĻ•āϟি āϰেāϞāĻĒāĻĨ āĻ•āϰ্āĻŽী āĻāϰ āφāϤ্āĻŽাāϰা āĻŦāϞে.

9. Pere āϚেāύি
Grayling āĻ•াāĻ›াāĻ•াāĻ›ি āĻ…āĻŦāϏ্āĻĨিāϤ, Pere āϚেāύি āĻāĻ•āĻŦাāϰ āĻāĻ•āϟি āĻļāĻļāĻŦ্āϝāϏ্āϤāϤা āωāύিāĻļ āĻļāϤāĻ•েāϰ SAWMILL āĻ—্āϰাāĻŽ āĻ›িāϞ. āĻļāĻšāϰে āĻ…āĻŦāĻļেāώে āĻĒোāϏ্āϟ āĻ…āĻĢিāϏ āĻŦāύ্āϧ āĻ•āϰে āϝāĻ–āύ 1912, āĻĒāϰে āĻ•িāĻ›ু āϏāĻŽāϝ় āĻĒāϰিāϤ্āϝāĻ•্āϤ āĻšāĻ“āϝ়াāϰ āφāĻ—ে āĻĄিāĻĒāĻĨিāϰিāϝ়া āĻāĻŦং āĻ•āϞেāϰা ravaged āĻļāĻšāϰে āϜāύāϏংāĻ–্āϝাāϰ āĻŽāϤ āϰোāĻ— āĻĻুāĻŦাāϰ āϏংāĻ–্āϝা āĻ•āĻŽে āϝাāϝ়. āϞেāϜেāύ্āĻĄ āĻāϟা āϝে āĻ•িāĻ›ুāχ āφāĻ›ে āĻ•িāύ্āϤু āĻāĻ•āϟি āĻ…āĻĻ্āĻ­ুāϤ Moss āĻ—্āϰাāĻŽে āĻŦৃāĻĻ্āϧি, āĻāĻŦং āĻ•āĻŦāϰāϏ্āĻĨাāύ, āĻ–ুāĻŦ āĻ•āϝ়েāĻ• āĻ…āĻŦāĻļিāώ্āϟ āϚেāύাāϰ āĻāĻ•, āĻāĻŽāύāĻ•ি āĻāĻ•āϟি āϜাāĻĻুāĻ•āϰী āĻšাāĻĄ় āϰাāĻ–া āĻšāϤে āĻĒাāϰে. āĻ…āύেāĻ• āĻĻāϰ্āĻļāĻ• āϏāĻŦāϚেāϝ়ে frighteningly āϏāĻŽāϏ্āϤ āϏāĻŽ্āĻ­āĻŦāϤ, āĻ•āĻŖ্āĻ  āĻāĻŦং āϏাāĻ•্āώী orbs āĻāĻŦং āĻļুāύāϤে, āĻāϞাāĻ•াāϝ় āϝাāϰা ​​āĻŽাāϰা āϏāύ্āϤাāύāĻĻেāϰ āĻ•াāĻ› āĻĨেāĻ•ে āĻ—াāĻĄ়িāϰ āĻšাāϤ āĻĒ্āϰিāύ্āϟ āĻĢাāχāύ্āĻĄিং sightseers āϰিāĻĒোāϰ্āϟ āφāĻ›ে.

10. Mackinac āĻĻ্āĻŦীāĻĒ
āϜāϟ্āϟিāϞ Mitten āϏāĻŦāϚেāϝ়ে āĻĒোāĻĄ়ো āϜাāϝ়āĻ—া āĻŽāύে āĻ•āϰা, Mackinac āĻĻ্āĻŦীāĻĒ āϤাāϰ āϏāĻŦāϚেāϝ়ে āĻ­ুāϤুāĻĄ়ে āϚাāϞাāϞে āϞোāĻ•েāχāϞেāϰ āĻ…āύুāĻ—āϤ āϟ্āϝুāϰ āφāĻ›ে. āĻĢোāϰ্āϟ Mackinac āĻ—্āϰ্āϝাāύ্āĻĄ āĻšোāϟেāϞেāϰ (āĻĒ্āϰāĻĨāĻŽ āϏাāĻŽāϰিāĻ• āĻĒোāϏ্āϟ āĻāϰ āĻ•āĻŦāϰāϏ্āĻĨাāύ āωāĻĒāϰ āύিāϰ্āĻŽিāϤ) (SyFy āϚ্āϝাāύেāϞ āĻāϰ āĻ—োāϏ্āϟ āĻļিāĻ•াāϰী āĻĻ্āĻŦাāϰা āĻ…āύ্āĻŦেāώāĻŖ) āĻĨেāĻ•ে āĻŽিāĻļāύ āĻĒāϝ়েāύ্āϟ (āĻāĻ•āϟি āĻŽāϰ্āĻŽāĻĒীāĻĄ়া āĻĒāϰে āύিāϜেāĻ•ে āĻ—ুāϞি āĻ•āϰে āϝাāϰা ​​āϜোāϝ়াāύ āĻāϰ āĻĒ্āϰেāϤাāϤ্āĻŽা āĻĻ্āĻŦাāϰা āĻĒোāĻĄ়ো) āφāĻĒāύি, Mackinac āĻĻ্āĻŦীāĻĒে āĻāĻ•āϟি āĻ…āϏ্āĻŦāĻ­াāĻŦী āϤāĻĻāύ্āϤāĻ•াāϰী āĻāϰ āϏ্āĻŦāĻĒ্āύ āĻ—āύ্āϤāĻŦ্āϝ. āĻŽাāĻে āĻŽাāĻে āϰāĻ•্āϤাāĻ•্āϤ āχāϤিāĻšাāϏ āĻāĻŦং āĻĻ্āĻŦীāĻĒ āφāĻĒেāĻ•্āώিāĻ• āĻŦিāϚ্āĻ›িāύ্āύāϤা āĻŦāĻ›āϰেāϰ āĻāχ āϏāĻŽāϝ় āϤাāϰ āĻ­ুāϤুāĻĄ়ে āĻŦাāϝ়ুāĻŽāύ্āĻĄāϞে āĻŽাāϤ্āϰা āφāĻ›ে.

I Saw At His Own Wake


My ancle passed away in 2000 due to a tragic Hypothermia Death. I was only 9 years old and today I am 21. He was only 35 years. He was a biker and loved his leather. When I was at his wake I was standing in front of my older sister. I was looking towards the casket when I had the urge to look behind me. To my surprise I saw my father standing with his arms folded across his chest.

He was wearing the leather vest I now have hanging in my closet. It was him. From the second I laid my eyes on him and took a split second look at the casket I looked back towards were I saw him standing and he was gone. The feeling I got to look back was as if something was pulling me to look that way. I tried to tell my mom for a long time until she finally listened to me.

I have had MANY experiences with him telling me he's ok in dreams. I had one dream, after a night of thinking about him and wondering if he was happier. That night I had a dream he was in a car and I noticed him and I gave him a kiss and he told me he was doing ok and not to worry. Another thing was he left a lot of DIMES. Dimes would just appear out of no were. I could be upset and rollover on my bed and there would be a dime heads up beside me.

At night I also hear voices, like screaming people when its quiet. I have no neighbors. My moms side of the family is psychic and so is she. I think it was passed down to me. Many other things have happened but I'm running out of characters of how much I can type.

San Antonio

San Antonio is world-famous as the home of the Mission San Antonio de Valero (otherwise known as "The Alamo"). If you are planning to travel in the state of Texas, do yourself a favor and plan to spend several days in this beautiful city. I highly recommend an after-dark tour of the river on the riverboats.

Ghost Railroad Tracks
San Antonio ... Is it an urban legend, or do the ghosts of children k... San Antonio ... Is it an urban legend, or do the ghosts of children killed in a bus crash in 1948 push your car over the railroad tracks where they once died?

San Antonio is world-famous as the home of the Mission San Antonio de Valero (otherwise known as "The Alamo"). If you are planning to travel in the state of Texas, do yourself a favor and plan to spend several days in this beautiful city. I highly recommend an after-dark tour of the river on the riverboats.
Not surprisingly, the spirits of those involved in that famous battle have opted to stick around, but they are not the only ones. The original incarnation of the Alamo was the Mission San Antonio de Valero, and when Santa Ana ordered it destroyed, the deceased monks supposedly reached through the walls and threatened the troops assigned to its destruction. To this day there are reports of strange creatures and apparitions dancing or walking along its outer wall. The plaza in front of it is reportedly haunted as well.

There are two major reasons for all of the activity in the downtown area of San Antonio.

One, is because of the burial ground that was used between 1724 and 1793 that takes up most of what is Alamo Plaza today. There are probably about a thousand people that were buried in this area. 954 are recorded in Spanish records from the time.

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Two, is because of the actual battle, where people died a violent death or before their time. When Santa Anna left SA to go to San Jacinto with about 1500 troops, he left about 1,000 men in SA to keep control of the area for him under the command of General Andrade. Because the bodies of the Texas defenders were burned in two or three locations around the Alamo grounds, General Andrade moved his troops about a mile or two out of SA and set up camp. When Santa Anna was captured at San Jacinto, it was reported that he got off a couple of messengers. He ordered Andrade to move his troops south of the Rio Grande, but before he was to leave SA he was to go into the Alamo and totally destroy the Alamo chapel. Santa Ann hated the Alamo for a couple of reasons. One, he lost about 1,600 troops taking the place in 1836 and two, his brother-in-law, General Cos had been run off with the 1,100 troops he had there in late 1835 by about 300 Texas Rebels.

General Andrade started to organize his troops for the march to the Rio Grande and he ordered Colonel Sanchez to go to the Alamo and destroy it. It was reported that the Colonel returned to camp rather quickly with a story about six Diablos, or ghostly looking devils coming out of the front doors of the Alamo and waving flaming sabers over their heads and yelling, "Do not touch the Alamo, do not touch these walls."

General Andrade thought that this story was ridiculous and he got a group of men to go with him to destroy the Alamo. When he got there, he also saw the same six ghosts. Now a lot of people want to think that these six ghosts were the ghosts of the most famous people involved in the battle. The ghosts of Bowie, Crockett, Bonham and Travis. I even get into arguments with people about the fact that I do not believe that the ghost of John Wayne was there too. Anyway, the General also looks over at the long barracks and sees the image of a person that is larger than life and has their hands up in the air with balls of fire in their hands. This is one of the images that is depicted on the Cenotaph (the Alamo defenders monument that is located in Alamo Plaza). It is the image of the spirit of sublime heroic sacrifice and it is given credit with saving the Alamo from physical destruction. The story goes that when the ethereal energy was released from the flames of the fires that burned the bodies of the Alamo defenders, this spirit used that energy to manifest itself, make itself visible, to scare away intruders of the Alamo grounds.

As far as the plaza hauntings that I know about. The report of the six ghosts and the spirit of sublime heroic sacrifice is widely known as the first reported ghost sightings at the Alamo. But there were also reports that two women were walking across the Mission grounds back in the 1700's, right about where the Plaza is today and they were struck by lightning. One died and the other survived. There are reports today, by people that work in the plaza on a daily basis that they have seen a ghostly woman walking across the plaza. It just might be the person killed by lightning. Just talk to some of the people that sell snow cones in the plaza.
This information provided by Martin Leal of Alamo City Paranormal.

Alamo Street Restaurant & Theater
"Miss Margaret" shows up in the choir loft in Victorian dress. She is believed to be Margaret Gething, an actress who lived just a few blocks away.

Reader Submission: Blasts from the Past

Death on the Wagon Train
“When I was small, I had a realistic dream that I was a child in a wagon train and we were attacked by Indians. I remember being a little child, like 12, and one Indian pulled me out of the back of our wagon and slit my throat. I felt the blood as it flowed out of my neck and down my chest.

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I’m 63 today, and I had this dream when I was 6 – 10 years old. It was so realistic that I can still remember the dream like it was yesterday. I believe I have lived many lives because I also reported for duty in Thailand in 1968 and instead of experiencing culture shock like the rest of my outfit, I felt right at home and contented and learned to speak Thai in about 10 months!”

A Dinosaur in the Woods
“When I was walking in the woods one day in the 100-acre woods behind our house, I saw a dinosaur. I was probably 10 or 12, but I was walking along down the path to the creek thinking about dinosaurs as I did a lot in those days. I was a child fascinated by history and fossils and dinosaurs.

I believe that my focused thinking created the dinosaur in front of me, as I stopped suddenly in my tracks and saw a long-necked dinosaur eating leaves off the top of a small tree. I stood there not believing what I was looking at all the while knowing I was seeing it! I bolted back home and told my mom I had seen a dinosaur in the woods, and she laughed at me. I believe today, at age 63, that my focused thinking created something out of time and space and put it in front of me because I was thinking about it so hard.”

Ghost Picture of the Day: Hull House Horror

A tourist snapped this photo at Chicago’s infamous Hull House. Founded in 1889 by Jane Addams and Ellen Gates Starr, the Hull House was a settlement home for recent European immigrants and is now reportedly haunted by a number of ghosts. Some say the home also harbored a “devil child,” though the story is just a rumor.

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A little blue house

 
Our first house was a little blue house that was
built in 1948 for Navy housing. (The house was close to the base.)

The air conditioner was loud when it was turned on, and I remember
that anytime I was lying in bed, in our bedroom, I heard what sounded
like a radio when I knew there wasn\'t one on. I got up a few times
checking what my husband was listening to on TV, and the TV wasn\'t on or
the programming didn\'t match what I was hearing. Could never make out
what they were saying...my husband said it may have been UFOs (he
sounded like he was almost positive of it. I wasn\'t convinced.)

When my son was around 9 months old, I accidentally locked myself out
of the house when the front door closed behind me when I went outside
for some reason. I don\'t even know how that happened. I frantically
tried to open the front door to no avail. I ran to the back sliding
glass door. Locked tight. My son was in his playpen at this time playing
happily, but I was hysterical. No one was home at the houses on either
side of my house and there was no house across the street. I was too
afraid to leave my baby that long. I ran around to the front door,
trying again. No good. Ran to the back again, and cried out for my
deceased grandmother (who I was very close to ) to please help me. A
second later, that heavy sliding glass door finally opened, and I was on my
hands and knees praising God, and thanking my Grandma. I had never
been so scared in my life.

We are now in our third home, and have stayed in other places with
loud air conditioners, and I haven\'t heard \"voices\" like I heard at
that little blue house.

I used to think I may have been picking up radio signals, because that
is how they sounded!

SEE HIM VERY CLEARLY

When it's your time to go, it's your time to go!!
Watch the man on the left walking, crossing the road where there is no car. It is so definite that the coast on the left is clear, and safe to cross. Any person would see it is safe.... however, God knows! Jjust when he is walking halfway across towards the other side, a car that just shoots pass the red-light (no brain!!!), clashed with an on-coming car (from right), pushing it with force, causing it to ram forward, crashing into the man who was crossing the road! If you look very carefully you can still see his actual real ghost standing behind the car... STILL WALKING !
ImageWATCH THE VIDEO A FEW TIMES AND YOU WILL SEE HIM VERY CLEARLY!
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You can see his ghost still walking! Look behind the vehicle in the last frame! He is either still walking or standing on the curb looking back at the accident! This was sent to me in a Email and I discovered his ghost in the clip. This particular clip has been circulating on the net for over a year now, but I don't think anyone saw his ghost until I did.

GHOST TOURS IN GETTYSBURG

WE VISITED GHOST TOURS IN GETTYSBURG ON JULY 1, 2006. AFTER THE TOURS. WE DROVE
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TO THE HUANTED BRIDGE. WE TOOK PHOTOS. WHEN ONE PHOTOS WAS RETURNED THE PHOTO SHOWED A LARGE WHITE BURST OF LIGHT AND SEVERAL SMALL WHITE CIRCLES WHICH LOOKED SIMILAR TO SPARKLER SPARKS. IS THERE ANY WHERE WE COUNLD SEND THE PHOTO TO GET A OPINION AS TO WHAT THIS MAY BE???? THANKS FOR YOURS HELP. WE HAD A GREAT TIME AND HOPE TO VISIT AGA

Boothill āϏāĻŽাāϧি āĻāϰ āĻ—োāϏ্āϟ

 
āϟেāϰি Ike Clanton Clanton āĻāϰ 1880-āĻ•াāϞ āĻ•াāĻĒāĻĄ় āĻĒāϰিāĻšিāϤ āύিāϜেāĻ•ে āĻ“āϞ্āĻĄ āĻ“āϝ়েāϏ্āϟ āϏুāĻĻāϰ্āĻļāύ āĻ›āĻŦি āϚেāϝ়েāĻ›িāϞেāύ āϝাāϰা ​​Boothill āĻ—্āϰেāĻ­āχāϝ়াāϰ্āĻĄ, āϤাāϰ āĻŦāύ্āϧু āĻāχ āĻĢāϟো āύিāϝ়েāĻ›ে. Gravestones āĻŽāϧ্āϝে, āĻļুāϧু āϤাāϰ āĻŦāύ্āϧু āĻĄাāύāĻĻিāĻ•ে, āĻāĻ•āϟি āĻ—াāĻĸ় āϟুāĻĒি āĻāĻ•āϟি āĻĒাāϤāϞা āĻŽাāύুāώ āωāĻĒāϏ্āĻĨিāϤ āĻšāϤে āĻĒাāϰে āĻ•ি āχāĻŽেāϜ.
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āĻāχ āĻĒ্āϰেāϤাāϤ্āĻŽা āĻĢāϟোāϰ āĻŦিāώāϝ়ে āφāĻŽাāϰ āĻŽāϤাāĻŽāϤ āĻĒāϰিāĻŦāϰ্āϤāύ āϝে āĻĢāϟো! āφāĻŽি āĻŦ্āϝāĻ•্āϤিāĻ—āϤāĻ­াāĻŦে Boothill āĻ—্āϰেāĻ­āχāϝ়াāϰ্āĻĄ āφāĻŽাāϰ āĻŦāύ্āϧু āĻāχ āĻ›āĻŦি āĻ—ুāϞি ... āφāĻŽāϰা āĻŽিāϤāĻŦ্āϝāϝ়ী āĻ”āώāϧ āĻĻোāĻ•াāύ āĻāϟি āωāύ্āύāϤ āĻ›িāϞ āĻāĻŦং āφāĻŽি āĻāϟা āĻĻিāϝ়ে āĻ•্āώāϤিāĻ—্āϰāϏ্āϤ āĻ•োāύ āĻāĻ• āϜাāύি! āφāĻŽাāϰ āĻŦāύ্āϧু āφāĻŽাāϰ 1880 āϏāĻŽāϝ়েāϰ āϜাāĻŽাāĻ•াāĻĒāĻĄ় āφāĻĒ āĻĒāϰিāĻšিāϤ āύিāϜেāĻ•ে āĻĒুāϰাāϤāύ āĻ“āϝ়েāϏ্āϟ āĻ–ুঁāϜāĻ›েāύ āĻ›āĻŦি āϚেāϝ়েāĻ›িāϞেāύ āĻ•াāϰāĻŖ āĻ›āĻŦি, āĻ•াāϞো āĻāĻŦং āϏাāĻĻা āĻ—ুāϞি āĻ•āϰা āĻšāϝ়. āφāĻŽি āĻŦāϞāϤে āĻĒাāϰি āύা ... "āφāĻŽি, āĻāĻ•āϟি āĻ›ুāϰি āĻ…āϧিāώ্āĻ িāϤ āĻŦিāĻļেāώ āĻ•āϰে āĻ•িāĻ›ু āϞোāĻ• āĻāϟি āĻ—ুāϞি āϝāĻ–āύ āϤাāĻĻেāϰ āĻāχ āĻĢāϟোāĻ—্āϰাāĻĢ āĻŽāϧ্āϝে āĻ…āύ্āϝ āĻ•োāύ āĻŦ্āϝāĻ•্āϤিāϰ āĻ›িāϞ āϜাāύি! āĻ…āϧিāĻ•াāϰ āĻ­াāĻŦেāύ āύা, āφāĻĒāύি āĻŦ্āϝাāĻ•āĻ—্āϰাāωāύ্āĻĄে āĻŦ্āϝāĻ•্āϤি āĻāĻ•āϟি āĻ›ুāϰি āĻ…āϧিāώ্āĻ িāϤ āĻ•āϰা āĻĒ্āϰāĻĻāϰ্āĻļিāϤ āĻšāĻŦে āϏাāĻŦāϧাāύে āϚেāĻšাāϰা!" - āϟেāϰি Ike Clanton

āĻāĻ•āϟি āϘোāĻĄ়া


āĻāϟা āφāĻŽাāϰ āĻŽা āĻšāϤে āĻŦāϞা āĻšāϝ়. āϤিāύি āϏিāϞেāϟ, āĻŦাংāϞাāĻĻেāĻļ āĻĨেāĻ•ে. āφāĻŽাāϰ āĻŽা āϝāĻ–āύ āĻļিāĻļু āĻ›িāϞ āϤāĻ–āύ āĻāχ āϏāĻž্āϚাāϞিāϤ āĻšāϝ়. āϤিāύি āĻāĻŦং āϤাāϰ āĻĒāϰিāĻŦাāϰ āϤাāϰ āĻ াāĻ•ুāϰāĻŽা āĻāϰ āĻŦাāĻĄ়িāϤে āĻāĻ• āĻĒāϰিāĻĻāϰ্āĻļāύ āĻ•āϰা āĻšāϝ়. āĻĒুāϰো āĻĒāϰিāĻŦাāϰ āĻāĻ•āϟি āĻĻীāϰ্āϘ āϏāĻŽāϝ় āĻĒāϰে āĻāĻ•āϏাāĻĨে āĻĒেāϝ়ে āĻ›িāϞ. āϤাāĻĻেāϰ āĻ•িāĻ›ু āĻļেāώ āĻŽāĻšাāύ āϏংāĻ—্āϰāĻšেāϰ āĻŽāϧ্āϝে āĻĒ্āϰāϤিāϟি āĻ…āύ্āϝেāϰ āĻŦাāĻĄ়িāϤে āĻĒāϰিāĻĻāϰ্āĻļāύ āĻ•āϰেāĻ›েāύ āĻ•িāύ্āϤু āĻāĻ•ে āĻ…āĻĒāϰেāϰ āĻĻেāĻ–া āϝাāϝ় āύা, āϝাāϰা āĻ•āϝ়েāĻ• āφāĻ›ে.

āϝে āϝুāĻ—েāϰ āĻŦাāĻ™াāϞি āĻĒāϰিāĻŦাāϰেāϰ āϜāύ্āϝ āϏ্āĻŦাāĻ­াāĻŦিāĻ• āĻšিāϏাāĻŦে, āϤাāϰ āĻĒāϰিāĻŦাāϰ (āĻ…āĻŦিāϞāĻŽ্āĻŦে āĻāĻŦং āύা āωāĻ­āϝ়) āĻŦেāĻļ āĻŦāĻĄ় āĻ›িāϞ. āϏৌāĻ­াāĻ—্āϝ āϝে āϤাāĻĻেāϰ āϜāύ্āϝ, āφāĻŽাāϰ āĻŽাāϝ়েāϰ āĻ াāĻ•ুāϰāĻŽা āĻāϰ āĻ–াāĻŽাāϰ āϜāĻŽি āĻŦেāĻļ āĻŦāĻĄ় āĻ›িāϞ āĻāĻŦং āϤাāϰা āϤাāĻĻেāϰ āĻ•āϰ্āĻŽীāĻĻেāϰ āĻĢāϏāϞ āĻāĻŦং āĻĒāĻļুāĻĻেāϰ āĻোঁāĻ• āϏাāĻšাāϝ্āϝ āφāĻ›ে āĻŦ্āϝāĻŦāĻšাāϰ āĻ•āϰাāϰ āϏāĻŽāϝ় āĻāϟি āĻāĻ•āϟি āĻ•āϝ়েāĻ• āϘāϰ āĻāĻŦং āĻāĻ•āϟি āĻ•āϰ্āĻŽীāĻĻেāϰ āĻŦাāĻĄ়িāϤে āĻ›িāϞ. āĻāϞাāĻ•াāϰ āĻ…āύ্āϝাāύ্āϝ āĻ–াāĻŽাāϰ āĻāĻŦং āĻŦāύ্āϧ āĻ•āϰে āĻŦāύ āĻ›িāϞ. āĻāχ āϏāĻŽāϝ়ে āĻ–াāĻŽাāϰে āĻ•েāω āĻŦিāĻļেāώāϤ moonless āϰাāϤ āωāĻĒāϰ, āĻŦিāĻĻ্āϝুā§Ž āĻāĻŦং āϰাāϤ āĻ›িāϞ, āĻāϟা āĻ•āĻ িāύ āφāĻĒāύাāϰ āύাāĻ•েāϰ āϏাāĻŽāύে āĻĻেāĻ–āϤে āϝাāĻŦে āύা. āĻŽোāĻŽāĻŦাāϤি, lanterns āĻāĻŦং āϟāϰ্āϚ āφāϞো āĻŦ্āϝāĻŦāĻšাāϰ āĻ•āϰা āĻšāϝ় āĻāĻŦং āϤাāϰা āĻāĻ•āϟি āĻ›োāϟ āϰুāĻŽে āĻ•িāĻ›ু āĻšাāϞāĻ•া āĻĻেāĻ“āϝ়াāϰ āϜāύ্āϝ āĻ­াāϞো āĻ›িāϞ, āϝāĻĻিāĻ“ āϤাāϰা āφāĻĒāύাāĻ•ে āĻĻেāĻ–āϤে āĻĒāϰ্āϝাāĻĒ্āϤ āφāϞো āĻĻিāϤে āφāϰ āĻ…āύ্āϝ, āφāĻĒāύি āĻ–াāĻŽাāϰে āĻāĻ• āϘāϰ āĻĨেāĻ•ে āĻ…āύ্āϝ āϚāϞāύ্āϤ āϝāĻ–āύ āϏāϤ্āϝিāχ āĻ­াāϞ āĻ›িāϞ āύা āĻšāϝ় āφāĻĒāύি āĻāĻ•āϟি ditch āĻŽāϧ্āϝে āĻĒāĻĻāĻŦিāύ্āϝাāϏ āĻŦা āĻāĻ•āϟি āĻ­াāϞ trodden āĻĒāĻĨ āĻ…āύুāϏāϰāĻŖ āĻĄাāύ āĻĻিāĻ• āĻļিāϰোāύাāĻŽ āĻšāϝ় āύা.

āĻĻিāύেāϰ āĻļুāĻ­ āĻ›িāϞ āĻāĻŦং āĻ–াāĻŦাāϰেāϰ āϏāĻ™্āĻ—ে āφāύāύ্āĻĻāĻĻাāϝ়āĻ• āĻ•াāϜ āĻ•āϰেāύ, āĻ–াāĻŦাāϰ, āĻ—েāĻŽ āϤাāχ āύāϤুāύ āϤাāĻĻেāϰ āϜীāĻŦāύেāϰ āϘāϟāύা, āĻĒāϰিāĻŦাāϰেāϰ āύāϤুāύ āϏāĻĻāϏ্āϝ āĻāĻŦং āĻšাāϞāύাāĻ—াāĻĻ āĻ•āϰা āĻšāϚ্āĻ›ে, āφāϞোāϚāύা āĻāĻŦং āĻĒāϰিāĻšাāϏ āĻ…āĻ­িāύāϝ় āĻāĻŦং āĻ…āύেāĻ• āĻšāϚ্āĻ›ে. āĻĻিāύেāϰ āĻāĻ•āϟি āϘāύিāώ্āĻ  āĻāĻŦং āϰাāϤে āϏেāϟ āϏৃāώ্āϟি, āĻāϟা āĻŽাāύুāώ āϘুāĻŽ āĻĨেāĻ•ে āĻŽাāĻĨা āϜāύ্āϝ āϏāĻŽāϝ় āĻ›িāϞ. āϏāĻŦাāχ āĻŦ্āϝāĻŦāϏ্āĻĨা (āĻ…āĻĨāĻŦা āĻāĻ• āύিāϜেāĻĻেāϰ āĻ—োঁāϜ āĻĒāϰিāϚাāϞিāϤ) āĻāĻ•āϟি āĻŦেāĻĄ. āĻāĻ•āϟি āĻŦিāĻ›াāύা āĻ›াāĻĄ়া āĻŦাāĻ•ি āĻ•েāĻŦāϞ āϤাāϰাāχ āφāĻŽাāϰ āĻŽাāϝ়েāϰ 3 āĻ­াāχ āĻ›িāϞ. āϤাāϰা āφāĻŽাāϰ āĻŽা āφāϰ āĻŦāϝ়āϏ্āĻ• āĻ›িāϞ āĻāĻŦং āϤেāϰ āĻĨেāĻ•ে āϊāύিāĻļ āĻŦāĻ›āϰ āĻ›িāϞ. āĻ…āύ্āϝāĻĻেāϰ āĻĨেāĻ•ে āĻ­িāύ্āύ, āϤাāϰা āĻ—েāĻŽ āĻ–েāϞে āϰেāĻ–েāĻ›িāϞেāύ āĻāĻŦং āĻĒāϰে āĻĒ্āϰāĻŽাāĻŖিāϤ, āϤাāϰা āϘুāĻŽাāύোāϰ āĻ•োāĻĨাāĻ“ āĻ›িāϞ. āϤাāĻĻেāϰ āĻ—্āϰ্āϝাāύ্āĻĄ āϤাāϰা āĻŽেāĻে āωāĻĒāϰ āĻļāϝ়āύ āĻ•āϰেāύ. āϝা āϤাāϰা āύোংāϰা āĻŽেāĻেāϤে āϘুāĻŽাāϤে āϚাāύ āύা āĻŦāϞেāύ. āĻāχ āϜāύ্āϝ, āϤাāĻĻেāϰ āĻ—্āϰ্āϝাāύ্āĻĄ āϤাāϰা āĻŦ্āϝāĻŦāĻšাāϰ āĻ•āϰāϤে āĻĒাāϰে, āϝা āĻāĻ•āϟি āĻŦিāĻ›াāύা āĻ›িāϞ āĻāĻ•āĻŽাāϤ্āϰ āϏ্āĻĨাāύ āĻĒুāϰাāύো āĻ•āϰ্āĻŽীāĻĻেāϰ āĻŦাāĻĄ়িāϤে āϝে āωāϤ্āϤāϰ āĻĻিāϝ়েāĻ›িāϞেāύ.

āĻāχ āĻ–াāĻŽাāϰ āĻŦাāĻĄ়ি āĻŦাāĻ•ি āĻĨেāĻ•ে āĻ•েāϟে āϏাāĻŽাāύ্āϝ āĻ›িāϞ. āϤাāϰা āϤা āĻ—্āϰāĻšāĻŖ āĻ•āϰāĻŦে. āϤাāĻĻেāϰ āĻ াāĻ•āϰূāĻŖāĻĻিāĻĻি āϤাāϰা āĻāĻ•āϟি āĻ­াāϞ āϰাāϤেāϰ āϘুāĻŽ āĻĒেāϤে āĻšāĻŦে āύা āϤাāĻĻেāϰ āϏāϤāϰ্āĻ• āĻ•āϰে āĻĻিāϝ়েāĻ›িāϞেāύ. āϤিāύি āϏেāĻ–াāύে stayed āĻ›িāϞ āĻ•āϰ্āĻŽীāĻĻেāϰ āϤাāϰা āϘুāĻŽ āύা āĻĒাāϰে āĻ…āĻ­িāϝোāĻ— āĻ•āϰেāύ. āϤাāϰা āϰাāϤে āĻŽাāĻāĻ–াāύে āϤাāϰা āĻāĻ•āϟি āϘোāĻĄ়াāϰ āϘāϰ āĻ…āϤীāϤ āϚāϞāĻŽাāύ āĻļুāύāϤে āĻšāĻŦে āĻāĻŦং āϘāϰ āύিāϜেāχ āĻŦিāĻ›াāύা āĻŦāϰাāĻŦāϰ āĻŦিāĻ•্āώুāĻŦ্āϧ āĻšāĻŦে āĻāĻŦং āϤাāϰা āĻĒāĻĄ়ে āϝে āϤাāĻĻেāϰ grans āĻŦāϞেāύ. āφāĻŽাāϰ āĻŽাāĻŽাāϰা āĻāϟা āĻŦāύ্āϧ āĻ…āĻĒāĻšāϏিāϤ. āϤাāϰা āĻĒ্āϰāϚুāϰ āĻĒ্āϰেāϤাāϤ্āĻŽা āĻ—āϞ্āĻĒ āĻļোāύা āĻ•āϰেāĻ›ি. āĻ•িāύ্āϤু āĻāϟি āĻļুāϧুāĻŽাāϤ্āϰ āĻ•āĻ–āύāĻ“ āĻ—āϞ্āĻĒ āĻ›িāϞ āύা. āφāϰ āĻ•িāĻ›ু āύāϝ়.

āϤাāϰা āĻĒāϰ্āϝāύ্āϤ āϧুāϝ়ে āĻāĻ•āϟি āϞāĻŖ্āĻ āύ āĻļāϝ়āύāĻ•াāĻŽāϰা āĻāĻŦং āĻ•āϰ্āĻŽীāĻĻেāϰ āĻŦাāĻĄ়িāϤে āϤাāĻĻেāϰ āĻĒāĻĨ āϤৈāϰি āĻšāϝ়, āϤাāϰা āĻĒāĻĨ āĻ…āύুāϏāϰāĻŖ āύিāĻļ্āϚিāϤ āĻ•āϰা āĻāĻŦং āĻāĻ•āϟি āϏāϰ্āĻĒ āĻ…āĻĨāĻŦা āϤাāϰা āĻĻেāĻ–āϤে āĻšāϤে āĻĒাāϰে āĻ…āύ্āϝাāύ্āϝ āĻĒ্āϰাāĻŖী āĻ›িāϞ āĻ•্āώেāϤ্āϰে āϤাāĻĻেāϰ āĻĒāĻĻāĻ•্āώেāĻĒ āĻĻেāĻ–āĻ›ে. āϤাāϰা āĻ•āϰ্āĻŽীāĻĻেāϰ āĻŦাāĻĄ়িāϤে āĻĒৌঁāĻ›েāĻ›েāύ, āĻāϟি āϤাāĻ•াāύ āϏāϤ্āϝিāχ āĻ…āύেāĻ• āĻ›িāϞ āύা. āφāĻŽি āϏ্āĻĒāώ্āϟ āĻāϟি āϞাāĻ ি āĻŦা āĻŽাāϟিāϰ āϤৈāϰি āĻ•āϰা āĻšāϝ়েāĻ›ে āĻ•ি āύা āĻāϰ, āĻŦিāĻŦāϰāĻŖ āĻŽāύে āϰাāĻ–āĻŦেāύ āύা, āĻ•িāύ্āϤু āφāĻŽি āĻāϟা āĻāĻ•āϟু āĻŽāϞিāύ āĻ›িāϞ āĻāĻŦং āĻļুāϧুāĻŽাāϤ্āϰ āĻāĻ• āĻŦāĻĄ় āĻ•াāĻ েāϰ āĻŦিāĻ›াāύা, āϟেāĻŦিāϞ āĻāĻŦং āĻ•āϝ়েāĻ• āĻŽোāĻŽāĻŦাāϤি āĻāĻŦং lanterns āϏেāĻ–াāύে āϰāϝ়ে āĻ—েāĻ›ে āĻŽāύে āĻšāϝ়. āĻŦিāĻ›াāύাāϰ āωāĻĒāϰ āĻļāϝ়āύ āĻāĻŦং āϤাāχ āĻŽāĻļা āĻĸেāĻ•ে āϰাāĻ–া āϝāĻĨেāώ্āϟ āĻĒāϰিāώ্āĻ•াāϰ āĻ•āϰāϞো āĻāĻŦং āĻŦিāĻ›াāύা āĻŽāϧ্āϝে āĻĒেāϝ়েāĻ›িāϞাāĻŽ. āϤাāϰা āϘুāĻŽিāϝ়ে āĻĒāĻĄ়েāĻ›িāϞাāĻŽ āφāĻ—ে āϤাāϰা āĻ•āϝ়েāĻ• āĻŽিāύিāϟেāϰ āϜāύ্āϝ āĻŦāϞāϞাāĻŽ.

āφāĻŽাāϰ āĻ•āύিāώ্āĻ  āϚাāϚা āĻĒ্āϰāĻĨāĻŽ woke āφāĻĒ. āϤিāύি āĻĒেāϝ়েāĻ›িāϞাāĻŽ āφāĻĒ āϝা āĻ•েāύ āĻŦাāĻĨāϰুāĻŽ āĻŦ্āϝāĻŦāĻšাāϰ āĻ•āϰা āϝেāϤে āϚেāϝ়েāĻ›িāϞেāύ. āϏāĻŽāϝ়েāϰ āϜāύ্āϝ āϏ্āĻŦাāĻ­াāĻŦিāĻ• āĻšিāϏাāĻŦে, āĻŦাāĻĨāϰুāĻŽ āĻŦাāĻĄ়িāϰ āĻŦাāχāϰে āĻ•োāύো āϏংāϝুāĻ•্āϤ āĻ•āϰা āĻšāϝ়āύি. bog āĻ•āϰ্āĻŽীāĻĻেāϰ āĻŦাāĻĄ়ি āφāϰ āĻŽূāϞ āĻŦাāĻĄ়িāϰ āĻ•াāĻ›াāĻ•াāĻ›ি āĻ›িāϞ. āϤিāύি āĻŦিāĻ›াāύা āĻĨেāĻ•ে āĻĒেāϝ়ে āϤিāύি āĻāĻ•āϟি āĻ­ীāϰু āĻļāĻŦ্āĻĻ āĻļোāύা. āĻāϟা āĻŦেāĻļ āĻ­ীāϰু āĻ›িāϞ āϝেāĻ–াāύ āĻĨেāĻ•ে āĻāϏেāĻ›িāϞেāύ āĻĒ্āϰāĻĨāĻŽ āϤিāύি āύিāϰূāĻĒāĻŖ āĻ•āϰāϤে āĻĒাāϰে āύি. āĻ—োāϞāĻŽাāϞ āϜোāϰে āĻāĻŦং āϘāύিāώ্āĻ  āĻšāϤে āϝাāϚ্āĻ›িāϞেāύ. āĻ•িāĻ›ু āĻŦাāχāϰে āĻĻৌāĻĄ়াāχāϤে āĻšāχāϝ়়া āĻ›িāϞ āĻšিāϏাāĻŦে āϝāĻĻিāĻ“ āĻāϟা āϧুāϤ. āĻ—োāϞāĻŽাāϞ āϜোāϰে āĻāĻŦং āϜোāϰে, āϘāύিāώ্āĻ  āĻ“ āĻ•াāĻ›াāĻ•াāĻ›ি āĻĒেāϝ়ে āĻ›িāϞ. āφāĻŽাāϰ āĻ…āύ্āϝ āĻĻুāχ āĻŽাāĻŽাāϰা woke āφāĻĒ. āĻ—োāϞāĻŽাāϞ āĻŦāύ্āϧ āĻĒেāϝ়েāĻ›িāϞাāĻŽ āĻšিāϏাāĻŦে, āϟেāĻŦিāϞেāϰ āωāĻĒāϰ āĻŽোāĻŽāĻŦাāϤি āĻĒāϤāύ āϘāϟাāύ āĻāĻŦং āϟেāĻŦিāϞ, āĻŦিāĻ›াāύা āĻāĻŦং āϘāϰ āĻāĻŦং āĻ•্āώāĻŖāĻ•াāϞ āĻ­ূāĻŽিāĻ•āĻŽ্āĻĒ āϘāϟāĻ›ে āĻ›িāϞ āĻšিāϏেāĻŦে āϝāĻĻি āĻ•āĻŽ্āĻĒāύ āĻļুāϰু, āϤাāϰāĻĒāϰ āϟেāĻŦিāϞ āĻŦāύ্āϧ āϘূāϰ্āĻŖিāϤ. āϏāĻŽāϏ্āϤ āĻĻৌāĻĄ়াāχāϤে āĻšāχāϝ়়া āĻļāĻŦ্āĻĻ āĻ…āϏāĻš্āϝ āĻšāϝ়ে āĻ“āĻ ে, āϝāĻ–āύ. āϘāϰ āĻŦিāĻ›াāύা āϜাāĻŽ্āĻĒিং āĻ›িāϞ āĻাঁāĻ•ুāύিāĻĻাāϰ āĻāĻŦং āĻŦিāĻ›াāύা āĻĨেāĻ•ে āφāĻŽাāϰ āĻŽাāĻŽাāϰা āĻ–ুঁāϜে āĻ•ুāĻĒোāĻ•াāϤ āĻ›িāϞ. āϤাāϰা āĻ–ুāĻŦ āĻĒāϰিāώ্āĻ•াāϰāĻ­াāĻŦে āĻŦāϞāϤে āύা āĻ•িāύ্āϤু āĻāĻ•āϟি āĻĻৈāϤ্āϝ āϘোāĻĄ়াāϰ āϘāϰ āĻĻ্āĻŦাāϰা āϚāϞāĻŽাāύ āĻŽāϤ āĻāϟি āĻŽাāĻĒা āĻšāϝ়. āĻāϟি āĻļুāϰু āĻ িāĻ• āϝেāĻŽāύ āĻ—োāϞāĻŽাāϞ āϜিāύিāϏ āϘāϰ āĻĻ্āĻŦাāϰা āĻāϟি galloped āϤৈāϰীāϰ āϝāĻĻি āύিāϚে āĻŽাāϰা āĻļুāϰু āĻ•āϰে.

āφāĻŽাāϰ āĻŽাāĻŽাāϰা āĻŽেāĻে āĻŦāύ্āϧ āύিāϜেāĻĻেāϰ āĻŦাāĻ›াāχ āĻ•āϰা āĻāĻŦং āĻŦেāĻĄ āĻŽāϧ্āϝে āĻĒেāϝ়েāĻ›িāϞাāĻŽ. āφāĻŽাāϰ āĻŽাāĻŽাāϰা āĻ­āϝ় āĻ…āύুāĻ­ূāϤ āĻ•িāύ্āϤু āĻŦাāχāϰে venture āĻ•āϰāϤে āϚাāύ āύা. āϤাāϰা āϏāĻŦ āĻŦিāĻ›াāύা āĻŽāϧ্āϝে āĻĒেāϝ়েāĻ›িāϞাāĻŽ āĻāĻŦং āϘুāĻŽ āĻĢিāϰে āĻĒেāϤে āϚেāώ্āϟা āĻ•āϰে. āϤাāϰা āĻŦিāĻ›াāύাāϝ় āĻļāϝ়āύ āĻšāϝ়েāĻ›ে āĻ—োāϞāĻŽাāϞ āύিāϚে āĻŽাāϰা āĻ—িāϝ়েāĻ›িāϞ. āĻĒাāĻļ āĻ•āϰেāĻ›ে āĻ•ি āϘāϟেāĻ›ে āĻšিāϏাāĻŦে āϝāĻĻি āĻāϟি. āĻ•্āϞাāύ্āϤ, āϤাāϰা āφāĻŦাāϰ āϘুāĻŽাāύোāϰ āϚাāϞāύ āĻļুāϰু āĻ•āϰে. āϤাāϰা āφāĻŦাāϰ āĻ­ীāϰু āĻĻৌāĻĄ়াāχāϤে āĻšāχāϝ়়া āĻļāĻŦ্āĻĻ āĻļুāύāϤে āĻšāϝ়. āϤাāϰা āĻŦ্āϝাāĻĒāĻ• āϜাāĻ—্āϰāϤ āĻ—ুāϞি āĻ•āϰে. āĻĻৌāĻĄ়াāχāϤে āĻšāχāϝ়়া āĻļāĻŦ্āĻĻ āĻŦাāĻĄ়িāϰ āĻĒাāĻļ āĻšিāϏাāĻŦে āφāĻŦাāϰ āϟেāĻŦিāϞ, āĻŦিāĻ›াāύা āĻāĻŦং āϘāϰ shook. āφāĻŽাāϰ āĻŽাāĻŽাāϰা āĻāĻ–āύ āĻĒ্āϰāĻļāϏ্āϤ, āϜাāĻ—্āϰāϤ āĻ­āϝ়াāϰ্āϤ āĻāĻŦং āĻŦেāĻĄ āĻ–āϏা āύা āϚেāώ্āϟা. āĻāĻŦং āĻāϟা āĻļুāϰু āĻ—োāϞāĻŽাāϞ āύিāϚে āĻŽাāϰা āϝাāύ, āĻ িāĻ• āϝেāĻŽāύ āφāĻ—ে. āĻĻৌāĻĄ়াāχāϤে āĻšāχāϝ়়া āϜিāύিāϏ āĻĒাāĻļ āĻ•āϰেāĻ›ে. āĻļুāϧুāĻŽাāϤ্āϰ āφāĻŽাāϰ āĻŽাāĻŽাāϰা āĻ–ুāĻŦ āĻ­āϝ় āĻ›িāϞ āĻāχ āϏāĻŽāϝ় āĻāĻŽāύāĻ•ি āφāĻŦাāϰ āϘুāĻŽাāύোāϰ āϚেāώ্āϟা āĻ•āϰে.

āĻĻৌāĻĄ়াāχāϤে āĻšāχāϝ়়া āĻļāĻŦ্āĻĻ, āĻļেāĻ•āϏ āĻĻ্āϝ āĻāĻŦং āĻŦেāĻĄ āĻ–āϏা āύা āĻ•āϰাāϰ āϚেāώ্āϟা āĻ•āϰāĻ›ে āφāĻŽাāϰ āĻŽাāĻŽাāϰা āϝে āϰাāϤে āĻ•āϝ়েāĻ• āĻŦাāϰ āĻĒুāύāϰাāĻŦৃāϤ্āϤি. āϰাāĻ— āĻ“āĻ­াāϰ āĻ—্āϰāĻšāĻŖ 6 āĻŦা 7 āϏāĻŽāϝ় āφāĻŽাāϰ āĻĒ্āϰাāϚীāύāϤāĻŽ āϚাāϚা āĻ­āϝ় āĻĻূāϰে āĻ—িāϝ়েāĻ›িāϞাāĻŽ. āϤিāύি āϘুāĻŽ āϚেāϝ়েāĻ›িāϞ āĻ•িāύ্āϤু āĻĒাāϰে āύা. āĻāχ āϜিāύিāϏ āĻŦাāχāϰে āϚāϞāĻŽাāύ āϤা āĻĨেāĻ•ে āϤাāĻ•ে āĻĒাāϞāύ āĻ•āϰা āĻšāϝ়. āϤাঁāϰ āĻ•াāϰāĻŖে āĻāχ āϤিāύি āĻŦিāĻ›াāύা āĻĨেāĻ•ে āĻŦেāϰিāϝ়ে āĻāϞাāĻŽ āĻāĻŦং āϤা āϝাāχ āĻšোāĻ• āύা āĻ•েāύ, āϤিāύি āϤাāϰ āϜীāĻŦāύেāϰ āĻāĻ•āϟি āχāĻž্āϚি āĻāϟা āĻŦীāϟ āϝাāϚ্āĻ›ে āϝে āύিāϜেāĻ•ে āĻŦāϞāĻ›ে, āĻĻāϰāϜা āϜāύ্āϝ āĻļিāϰোāύাāĻŽ āĻ›িāϞ āύিāϝ়āĻŽিāϤ. āĻ­āϝ় āφāĻŽাāϰ āĻ…āύ্āϝ āĻĻুāχ āĻŽাāĻŽাāϰা, āĻ…āύ্āϝ āĻĻৌāĻĄ়াāχāϤে āĻšāχāϝ়়া āĻŦৃāϤ্āϤাāĻ•াāϰ āĻšāϚ্āĻ›ে āĻ›িāϞ āϤাāϰা āϤাāĻ•ে āĻ…āύুāώ্āĻ িāϤ āϤাāĻ•ে āĻĨাāĻŽাāϤে āϚেāώ্āϟা āĻ•āϰে. āĻ•āĻŽ্āĻĒāύেāϰ āϘāϰ āϤাāĻĻেāϰ āĻ­াāϰāϏাāĻŽ্āϝ āĻšাāϰাāύ āĻāĻŦং āĻŽাāϟিāϤে āĻĒāĻĄ়ে āĻĒ্āϰāĻŖীāϤ. āĻāχ āφāĻŽাāϰ āĻĒুāϰোāύো āϚাāϚা āφāϰāĻ“ āĻŦেāĻļি āωāύ্āĻŽাāĻĻ. āĻ…āύ্āϝāĻĻেāϰ āϤাāĻ•ে āĻļাāύ্āϤ āĻāĻŦং āĻŦাāĻĄ়িāϤে āϤাāĻ•ে āϰাāĻ–āϤে āϚেāώ্āϟা āĻ•āϰা āĻšāϝ়. āĻāχ āϜিāύিāϏ āϘāϰ āĻ•āĻŽ্āĻĒāύ āĻ•āϰāϤে āĻĒাāϰে āϏāĻŦ āĻĒāϰে, āϤাāĻĻেāϰ āĻļāϝ্āϝা āϤাāĻĻেāϰ āĻ āĻ•্āĻ āĻ•্ āĻļāĻŦ্āĻĻ; āĻāϟি āĻ…āϏāĻŽ্āĻ­াāĻŦ্āϝ āĻāĻ•āϟি āωāύ্āĻŽাāĻĻ āĻ•িāĻļোāϰ āĻ›েāϞে āĻāϟিāĻ•ে āĻĨাāĻŽাāϤে āĻĒাāϰে āύা.

āĻāĻŦং āϤাāχ, āϤাāϰা āĻ­োāϰ āĻĒāϰ্āϝāύ্āϤ āĻ—োāϞāĻŽাāϞেāϰ āĻĻ্āĻŦাāϰা āύিāϰ্āϝাāϤিāϤ āĻšāϚ্āĻ›ে āϏāĻŽāϝ় āĻ•াāϟিāϝ়েāĻ›ি. āĻāϟা āϝāĻ–āύ āϤাāϰা āĻ•্āϞাāύ্āϤāĻ­াāĻŦে āϘāϰ āĻĨেāĻ•ে āĻŦেāϰিāϝ়ে āĻāϞাāĻŽ āĻāĻŦং āϏ্āĻĨিāϰāĻ­াāĻŦে āĻāĻŦং āϏাāĻŦāϧাāύāϤাāϰ āĻŽূāϞ āϘāϰ āĻĨেāĻ•ে āϤাāĻĻেāϰ āĻĒāĻĨ āϤৈāϰি. āϤাāϰা āĻāϏেāĻ›িāϞ, āϤাāĻĻেāϰ āĻ াāĻ•āϰূāĻŖāĻĻিāĻĻি āϤাāϰা āĻ­াāϞ slept āĻŽāϤ āϤাāϰা āϚেāĻšাāϰা āύāϝ়. āϤাāϰāĻĒāϰ āϤাāϰা āĻ•ি āĻ•ি recounted. āϤাāĻĻেāϰ āĻ াāĻ•āϰূāĻŖāĻĻিāĻĻি āĻāϟি āϏāĻŽ্āĻ­āĻŦāϤ āϤাāϰা āφāωāϟ āϝাāύ āĻāĻŦং āĻ­াāϞো āύা āĻ­াāϞো āĻ›িāϞ. āϤিāύি āĻāĻ•āϟি āĻŦāĻĄ় āĻĒ্āϰেāϤাāϤ্āĻŽা āϘোāĻĄ়া āĻ›িāϞ āĻāĻŦং āϏāĻŽ্āĻ­āĻŦāϤ āĻāϟি āϏāĻ™্āĻ—ে āϤাāĻĻেāϰ āĻāĻ•āϜāύ āύেāĻ“āϝ়া āĻšāĻŦে.

āĻĒāϰে āĻĻিāύ āϝে, āφāĻŽাāϰ āĻĒুāϰোāύো āϚাāϚা āĻ•āϰ্āĻŽীāĻĻেāϰ āϘāϰ āϚেāĻ• āφāωāϟ āĻ•āϰāϤে āĻ—িāϝ়েāĻ›িāϞাāĻŽ. āϤিāύি āϏেāĻ–াāύে āϏাāϧাāϰāĻŖ āĻ–ুঁāϜে āĻ•োāύ āĻ—াāύāĻ—ুāϞি āĻŦা āĻ•িāĻ›ু āĻ›িāϞ āĻ•িāύা āĻĻেāĻ–āϤে āĻŦাāχāϰে āĻĒ্āϰাāϝ় āϞাāĻ—āĻ›িāϞ. āϤিāύি āĻ•োāύো āĻ–ুঁāϜে āĻĒাāύ āύা.

āĻāĻ•āϟি āĻĻৈāϤ্āϝ


āφāĻĒāύি āϏāĻŽāϏ্āϤ Aladdin āĻāϰ āϜাāĻĻু āĻĻৈāϤ্āϝ āϏāĻŽ্āĻĒāϰ্āĻ•ে āĻĒāĻĄ়āϤে. āĻ“āϝ়েāϞ, āĻāχ genies āĻŦিāĻĻ্āϝāĻŽাāύ āύা. āĻ•িāύ্āϤু āϤাāϰা āĻĒুāϰাāϤāύ āφāϞো āĻŦাāϏ āύা āĻāĻŦং āϤাāϰা āϜাāĻĻু āĻšāϝ় āύা. āϤাāϰা, āĻĻেāϝ়াāϞ, āĻĒāϰিāĻŦāϰ্āϤāύেāϰ āĻĢāϰ্āĻŽ āĻŽāϧ্āϝ āĻĻিāϝ়ে āϝেāϤে āϤাāϰা āĻĢেāϰেāĻļāϤাāĻ—āĻŖ āĻāĻŦং demons āĻāϰ āϏাāĻĨে āϏāĻŽ্āĻĒāϰ্āĻ•িāϤ āĻ•āϰা āĻšāϝ় āĻŽাāύুāώেāϰ āĻŽৃāϤāĻĻেāĻš āχāϤ্āϝাāĻĻি āύিāϤে āĻĒাāϰেāύ āĻ•িāύ্āϤু āϤাāϰা āĻ•িāĻ›ু āĻ…āϞৌāĻ•িāĻ• āĻ•্āώāĻŽāϤা āφāĻ›ে. āϤাāĻĻেāϰ āĻ•িāĻ›ু āĻ­াāϞো āĻāĻŦং āϤাāĻĻেāϰ āĻ•িāĻ›ু āĻ–াāϰাāĻĒ. āĻ•āĻ–āύāĻ“ āĻ•āĻ–āύāĻ“ āφāĻŽāϰা āĻĢেāϰেāĻļāϤা āĻšিāϏেāĻŦে demons āĻāĻŦং āĻ­াāϞ āĻŦেāĻļী āĻ–াāϰাāĻĒ genies āωāϞ্āϞেāĻ– āĻ•āϰে āĻ­ুāϞ āĻ•āϰা. āĻ•িāύ্āϤু genies, genies āĻĒাāϰ্āĻĨিāĻŦ āĻĒ্āϰাāĻŖী āĻšāϝ়, āĻĢেāϰেāĻļāϤাāĻ—āĻŖ āĻāĻŦং demons āĻĨেāĻ•ে āĻ­িāύ্āύ.

āφāĻŽাāϰ āĻĻেāĻļ, āĻŦাংāϞাāĻĻেāĻļ, āĻāχ āĻĻৈāϤ্āϝ āϜিāύ 'āύাāĻŽে āĻĒāϰিāϚিāϤ āĻšāϝ়. āĻ­াāϞ āĻŦেāĻļী āφāĻŽাāĻĻেāϰ āĻŽাāĻĨা āϘাāĻŽাāύ āύা āĻ•িāύ্āϤু āĻ–াāϰাāĻĒ āĻŦেāĻļী āφāĻŽাāĻĻেāϰ āϜীāĻŦāύে āĻšāϏ্āϤāĻ•্āώেāĻĒ. āφāĻŽাāϰ āϏāĻŽ্āĻĒāϰ্āĻ•ে āĻāχ āĻĒ্āϰাāĻŖীāĻ•ে āĻŦাāϏ্āϤāĻŦ āĻŦিāĻļ্āĻŦাāϏ. āφāĻŽি āϜিāύ āĻāϰ āϏāĻŽ্āĻĒāϰ্āĻ•ে āĻ…āύেāĻ• āĻ—āϞ্āĻĒ āϜাāύি. āφāĻŽাāϰ āĻĒāϰিāĻŦাāϰ āĻāĻŦং āφāĻŽি āĻ–ুāĻŦ āĻ•িāĻ›ু āĻ…āĻ­িāϜ্āĻžāϤা āφāĻ›ে.

āφāĻŽি āĻĒ্āϰাāϝ় 10 āĻŦা 11 āĻŦāĻ›āϰ āĻŦāϝ়āϏে āĻ“āϝ়েāϞ, āĻāχ āϏāĻŽāϝ় āϘāϟেāĻ›িāϞো. āĻāĻ• āϏāύ্āϧ্āϝাāϝ় āφāĻŽাāϰ āĻ›োāϟ āĻ­াāχāϝ়েāϰ āωāĻĒāϰāϤāϞাāϰ āĻĨেāĻ•ে āϚিāϤ্āĻ•াāϰ āĻāϏেāĻ›িāϞ āύিāϚে. āϤিāύি hurriedly āφāĻŽাāϰ āϰুāĻŽে āĻŦিāϏ্āĻĢোāϰিāϤ (āϏিঁāĻĄ়ি āĻŦেāϝ়ে āύিāϚে āϝা āĻ›িāϞ) āĻāĻŦং panting āφāĻŽাāϰ āĻŦিāĻ›াāύাāϰ āωāĻĒāϰ āĻŦāϏে āĻĨাāĻ•āϤেāύ. āϝে āϏāĻŽāϝ় āφāĻŽাāϰ āĻŦাāĻŦা āĻāĻŦং āĻŽা āφāĻŽাāϰ āϰুāĻŽে āϚāϞে āφāϏে. āϤাāϰা āϚিāύ্āϤিāϤ āĻāĻŦং āĻ•ি āϘāϟেāĻ›ে āϤাāĻ•ে āĻŦāϞা āĻšāϝ় panting āϤাāĻ•ে āĻĻেāĻ–āĻ›ি āύা. āϤিāύি (āφāĻŽাāĻĻেāϰ maidservant āĻāϰ āϰুāĻŽ āϏিঁāĻĄ়ি āĻĒাāĻļে āĻšāϝ়) maidservant āĻāϰ āϰুāĻŽ āĻĒাāĻļে āĻĻাঁāĻĄ়িāϝ়ে āĻāĻ•āϟি āϏāĻŽ্āĻĒূāϰ্āĻŖ āϏাāĻĻা āĻŽাāύুāώ āĻĻেāĻ–েāĻ›ি āϝে āĻŦāϞেāύ. āφāĻŽāϰা āϏāĻŦ āĻāϟা āĻ—ুāϰুāϤ্āĻŦেāϰ āϏাāĻĨে āύিāϝ়েāĻ›ে. āĻ…āύ্āϝ āϘāϟāύাāϰ āĻĻিāύ āφāĻ—ে āϘāϟেāĻ›ে, āĻ•াāϰāĻŖ āϝে āĻĻুāϟি āĻŦিāĻĄ়াāϞ āϝুāĻĻ্āϧ āĻ“ āĻ­āϝ়াāύāĻ• āĻ—োāϞāĻŽাāϞ āĻšāϝ়, āĻāĻ• āϰাāϤে āĻšāϝ়. āφāĻŽাāϰ āϏāĻŽ্āĻĒāϰ্āĻ•ে āϤাāχ, āφāĻŽাāϰ āĻ­াāχ āĻāĻŦং āφāĻŽাāϰ āĻŽা 'āφāĻĒāύি āĻāĻ•āϟি āϜিāύ āĻšāϝ়ে āĻĨাāĻ•েāύ, āϤাāĻšāϞে āĻĻূāϰে āϝেāϤে.' Chanted āĻŦাংāϞা āϤিāύāĻŦাāϰ (āφāĻŽাāϰ āĻŽাāϝ়েāϰ āĻ­াāώা). āϜিāύ āĻāϰ āĻŦিāĻĄ়াāϞ āĻĢāϰ্āĻŽ, āĻŦিāĻļেāώāĻ­াāĻŦে āĻ•াāϞো āĻŦিāĻĄ়াāϞ āύিāϤে āĻāĻŦং āĻāϟি āϝāĻĻি āφāĻĒāύি āĻ­āϜāύ āĻāχ āĻļāĻŦ্āĻĻ āϤিāύāĻŦাāϰ āϤাāϰāĻĒāϰ āϜিāύ āĻĻূāϰে āϝেāϤে āĻšāĻŦে āĻŦিāĻļ্āĻŦাāϏ āĻ•āϰা āĻšāϝ় āϝে āϚাāχ āĻ•াāϰāĻŖ āφāĻŽāϰা āĻāχ āĻļāĻŦ্āĻĻ chanted. āφāĻŽāϰা āĻāχ āĻļāĻŦ্āĻĻ chanted āĻšিāϏাāĻŦে āĻŦিāĻĄ়াāϞ āϝে āϤাāϤ্āĻ•্āώāĻŖিāĻ• āĻŽুāĻšূāϰ্āϤ āϜাāϝ়āĻ—া āĻšāϝ়েāĻ›ে! āφāĻŽāϰা āĻŦিāϏ্āĻŽিāϤ āĻāĻŦং āϏেāχ āϏāĻŽāϝ় āĻ­ীāϤ āĻšāϝ় āωāĻ­āϝ়.

āĻ•িāĻ›ু āĻĻিāύ āĻĒāϰে āφāĻŽাāϰ āĻ­াāχ āϏāĻŽ্āĻĒāϰ্āĻ•ে āϝে āϘāϟāύাāϰ āĻĒāϰে, āφāĻŽি āωāĻĒāϰāϤāϞাāϰ āϚাāϞু āĻ›িāϞ, āĻšāĻ াā§Ž āĻ•āϰে āφāĻŽি āĻ…āύ্āϝ āωāĻĒāϏ্āĻĨিāϤি āĻ›িāϞ āĻ…āύুāĻ­ূāϤ. āϏুāϤāϰাং, āφāĻŽি āύিāϜেāĻ•ে āĻĒ্āϰাāϝ় āϞাāĻ—āĻ›িāϞ āĻāĻŦং āφāĻŽি āϤৈāϰি āĻĻেāĻ–েāĻ›ি āφāĻŽাāϰ āϏāĻŽ্āĻĒāϰ্āĻ•ে āĻ­ীāϰু āϚাāχ. āφāĻŽি āφāĻŽাāĻĻেāϰ āĻĻাāϏী āϚাāĻ•āϰ āĻāϰ āϘāϰেāϰ āϏাāĻŽāύে āĻāĻ•āϟি āϏāĻŽ্āĻĒূāϰ্āĻŖ āϏাāĻĻা āϚিāϤ্āϰ āĻĻাঁāĻĄ়িāϝ়ে āĻĻেāĻ–েāĻ›ি. āφāĻŽি āφāĻŽাāϰ āϚোāĻ– āĻŦāύ্āϧ āĻāĻŦং āϏিঁāĻĄ়ি āύিāϚে āϏ্āĻĨাāĻĒিāϤ āĻšāϝ়. āφāĻŽি āϏিঁāĻĄ়ি āĻĨেāĻ•ে āϚāϞāĻŽাāύ āĻ›িāϞ āϝেāĻŽāύ āφāĻŽাāϰ āϚোāĻ– āĻŦāύ্āϧ āĻ•āϰে āĻĻেāĻ“āϝ়া āĻšāϝ়, āφāĻŽি āĻĒ্āϰাāϝ় āĻĻুāχ āĻŦাāϰ āĻĒāĻĄ়ে āĻ—িāϝ়েāĻ›িāϞেāύ. āϤāĻŦে āφāĻŽি panting āφāĻŽাāϰ āύীāϰāĻŦ āĻāϰ āϰুāĻŽে āĻ—িāϝ়েāĻ›িāϞাāĻŽ āĻāĻŦং āϤাāϰ āϏāĻŦāĻ•িāĻ›ু āĻŦ্āϝাāĻ–্āϝা. āϝে āϏāĻŽāϝ় āφāĻŽাāϰ āĻ­াāχ āĻ›িāϞ. āϤিāύি āϝে āĻĻিāύ āĻāĻ•āχ āϚিāϤ্āϰ āĻĻেāĻ–া āϝাāϝ় āύা. āφāĻŽি āĻāĻ•āϟি āϏāĻŽāĻŦাāϝ় āϘāϟāύা āύāϝ় āϝে āύিāĻļ্āϚিāϤ. āĻ•িāύ্āϤু āĻ–āύি āϝে āϘāϟāύাāϰ āĻĒāϰ āφāĻŽāϰা āφāĻŦাāϰ āϝে āϚিāϤ্āϰ āĻĻেāĻ–āϤে āĻĒাāχāύি. āĻ•িāύ্āϤু āĻ—āϤ āĻŦāĻ›āϰ āφāĻŽāϰা āύিāϰ্āĻĻিāώ্āϟ āφāϏāϰে āϧোঁāϝ়া āĻĻেāĻ–েāĻ›ি. āφāĻŽāϰা āĻāχ āĻ•āĻ•্āώ āĻ“ āϤাāĻĻেāϰ āĻ•াāĻ›ে āφāϏāϰে, āφāĻŽāϰা āφāĻŽাāĻĻেāϰ āĻŦাāĻĄ়িāϰ āĻŦাāχāϰে āĻ–ুঁāϜেāĻ›ি, āĻ•িāύ্āϤু āφāĻŽāϰা āĻ•িāĻ›ু āϜ্āĻŦāϞāύ্āϤ āĻŦা āϧোঁāϝ়া āĻŦাāχāϰে āφāϏāϤে āĻĒাāϰে, āϝা āĻĨেāĻ•ে āĻ•োāύো āĻŦāϏ্āϤু āĻ–ুঁāϜে āĻĒাāχāύি āϏāϰ্āĻŦāϤ্āϰ āϏāύ্āϧাāύ. āφāĻŽāϰা āϧোঁāϝ়া āϏāĻ™্āĻ—ে āϏুāĻ—āύ্āϧি āĻāĻ•āϟি āĻ…āĻĻ্āĻ­ুāϤ āĻ—āύ্āϧ āĻĒেāϝ়েāĻ›িāϞাāĻŽ.

āφāĻŽি āφāĻŽাāĻĻেāϰ āĻŦাāĻĄ়িāϤে āĻāĻ•āϟি āϜিāύ āĻ›িāϞ āĻŦিāĻļ্āĻŦাāϏ. āĻāχ āĻāĻ•āϟি āϜিāύ āĻŦৈāĻļিāώ্āϟ্āϝ āĻšāϝ়. āϏুāĻ—āύ্āϧি āĻāĻ•āϟি āĻ—āύ্āϧ āφāĻ›ে āĻ•িāύা āĻāĻŦং āϤাāϰāĻĒāϰ āĻāϟি āϜিāύ āĻ­াāϞ āĻŦিāĻļ্āĻŦাāϏ āĻ•āϰা āĻšāϝ়. āϤাāχ āφāĻŽি āĻāϟা āφāĻŽাāĻĻেāϰ āĻ•োāύ āĻ•্āώāϤি āĻ•āϰেāύি āϜিāύ āĻ›িāϞ āĻ­াāϞ āĻŽāύে āĻ•āϰি.

āĻĒāĻĄ়াāϰ āϜāύ্āϝ āϧāύ্āϝāĻŦাāĻĻ.

āφāĻŽাāϰ āϚাāϚাāϰ āĻ•াāĻ› āĻĨেāĻ•ে āĻāĻ•āϟি āĻŦাāϰ্āϤা

 āĻāχ āĻ—āϞ্āĻĒ āφāĻŽাāϰ āύীāϰāĻŦ āĻšāϝ়. āĻ•āϝ়েāĻ• āϏāĻĒ্āϤাāĻš āφāĻ—ে āϤাāϰ āĻŦাāĻŦা āĻĻূāϰে āĻĒাāĻļ - āφāĻŽাāϰ granddad. āĻāĻ• āϰাāϤে āϤিāύি āϤাāĻ•ে āĻ…āύেāĻ• āϚিāύ্āϤা āĻ›িāϞ. āĻšāĻ াā§Ž āϤিāύি (āφāĻŽাāϰ granddad āϏāĻŦāϏāĻŽāϝ় āϝে āĻĒāϰāϤেāύ) āφāϰāĻŦ āϏুāĻ—āύ্āϧি smelt āϝāĻ–āύ āϤিāύি āϧীāϰে āϧীāϰে āϤাāϰ āϚোāĻ– āĻŦāύ্āϧ. āϤিāύি āϤাāĻ•িāϝ়ে āĻ•িāύ্āϤু āĻ•িāĻ›ুāχ āĻĻেāĻ–েāĻ›ি.

āĻŦাāϤাāϏে āĻāĻ•āϟা āĻŦāĻĄ় gust āĻ—āϤ āĻ—িāϝ়েāĻ›িāϞাāĻŽ āĻāĻŦং āϏে āϤাāϰ āĻ•āύ্āĻ  "āφāĻĒāύাāϰ āĻŽেāϝ়ে āϏাāĻšাāϝ্āϝ" āĻŦāϞāĻ›ে āĻļুāύেāĻ›ি. āφāĻŽাāϰ āύীāϰāĻŦ āĻ“āĻ­াāϰ āϞাāĻ—āĻ›িāϞ (āφāĻŽাāϰ āύীāϰāĻŦ, āφāĻŽাāϰ āĻāĻŦং āφāĻŽাāϰ āĻŦোāύ āĻāĻ•āχ āϰুāĻŽে āϘুāĻŽ, āĻāĻ•āϟা āĻĄাāĻŦāϞ āĻŦেāĻĄ āĻĨেāĻ•ে āφāĻŽাāϰ āύীāϰāĻŦ āĻāĻŦং āϏাāĻŽাāύ্āϝ āĻŦোāύ āĻāĻŦং āφāĻŽাāϰ āĻāĻŦং āĻāĻ•āϟি bunk āĻŦিāĻ›াāύাāϰ āωāĻĒāϰ āφāĻŽাāϰ āĻŦāĻĄ় āĻŦোāύেāϰ) āĻāĻŦং āφāĻŽাāϰ āĻāĻŦং āφāĻŽাāϰ āĻŦোāύ āĻĒāϰ্āϝāύ্āϤ āĻšাঁāϟা āĻāĻ•āϟি shadowy āϚিāϤ্āϰ āĻĻেāĻ–েāĻ›ি . āφāĻŽাāϰ āύীāϰāĻŦ āĻāϟি āϚেঁāϚিāϝ়ে āĻāĻŦং āĻāϟি āϤাāϰ āĻĻিāĻ•ে āϏāϰাāϏāϰি āϤাāĻ•িāϝ়ে, āĻāϟা āφāĻŽাāϰ āύীāϰāĻŦ āϏāĻŦāϚেāϝ়ে āĻŦিāϚিāϤ্āϰāĻ­াāĻŦে āĻ›োāĻĒ - āϞাāĻ—াāύো āĻŦা āĻĄোāϰাāĻ•াāϟা, āϝা āĻ•োāύ āϚোāĻ– āĻ›িāϞ. āĻāϟা āϤাāϰ āĻĻৌāĻĄ়ে āĻāĻŦং āĻŦিāĻ›াāύাāϰ āωāĻĒāϰ āϤাāϰ āύিāϚে āϧাāĻ•্āĻ•া. āϤাāϰāĻĒāϰ, āĻāϟা āϤাāϰ āωāĻĒāϰ āĻ•āĻ­াāϰ āĻ•āϰা āĻāĻŦং āĻļāĻ•্āϤāĻ­াāĻŦে āϤাāϰ āĻšাāϤ āĻ…āύুāώ্āĻ িāϤ āĻšāϝ়. āϏে āĻ•াāϰāĻŖ āϤাāϰ āĻ“āĻ­াāϰ āĻ•āĻ­াāϰ āĻāϰ āĻļ্āĻŦাāϏ āύিāϤে āύা āĻĒাāϰে āĻāĻŦং āϝে āϜিāύিāϏ āϤাāĻĻেāϰ āĻ…āϧিāώ্āĻ িāϤ āĻ›িāϞ, āĻ•াāϰāĻŖ āϤাāϰ āĻšাāϤ āϏāϰাāϤে āĻĒাāϰিāύি.

āφāĻŽāϰা āφāĻŽাāϰ āύীāϰāĻŦ āϤাāϰ āϘুāĻŽেāϰ āĻŽāϧ্āϝে āϏংāĻ—্āϰাāĻŽ āĻĻেāĻ–েāĻ›ি āϝāĻ–āύ āφāĻŽাāϰ āĻāĻŦং āφāĻŽাāϰ āĻŦোāύ woke āφāĻĒ. āφāĻŽāϰা āϤাāϰ woke āφāĻĒ āĻāĻŦং āϤিāύি āĻ•ি āϘāϟেāĻ›ে āφāĻŽাāĻĻেāϰ āϜাāύাāύ. āφāĻŽāϰা āϤাāϰ āĻšাāϤ āϞাāϞ āφāĻ™ুāϞ āϚিāĻš্āύ āĻĻেāĻ–েāĻ›ি āϝāĻ–āύ āφāĻŽাāϰ āĻŦোāύ āϤাāϰ āĻļাāύ্āϤ āĻ•āϰাāϰ āϚেāώ্āϟা āĻ›িāϞ - āĻāϟা āϤাāϰ āĻ…āϧিāώ্āĻ িāϤ āĻ›িāϞ āϝেāĻ–াāύে āĻ িāĻ• āĻāĻ•āχ āϏ্āĻĨাāύে. āφāĻŽাāϰ āĻŦাāĻŦা āφāĻŽাāĻĻেāϰ āϚেāĻ• āωāĻĒāϰāϤāϞাāϰ rushed. āϤিāύি āϤাāĻ•ে āĻ—āϤ āĻ•েāω āϰাāύ āĻ…āύুāĻ­ূāϤ āϝāĻ–āύ āϤিāύি āϏāĻĢা āĻŦāύ্āϧ dozed āϝে āĻŦāϞেāύ. āϤিāύি āĻ…āύ্āϝাāύ্āϝ āϰুāĻŽ āĻĨেāĻ•ে āĻāϟি chased āĻ•িāύ্āϤু āϤিāύি āϏেāĻ–াāύে āĻĒেāϝ়েāĻ›িāϞাāĻŽ āϏāĻŽāϝ় āĻĻ্āĻŦাāϰা āĻāϟি āϏāϰ্āĻŦāϏ্āĻŦাāύ্āϤ āύা.

āĻ–েāϝ়াāϞী! āĻ“āϝ়েāϞ āφāĻŽি āĻĒ্āϰāϚুāϰ āφāϰো āφāĻ›ে āϝে āĻ—āϞ্āĻĒāϟি āĻĒāĻ›āύ্āĻĻ āφāĻĒāύি āĻĒ্āϰāϤ্āϝাāĻļিāϤ!